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Henry Brant is America’s foremost composer of acoustic spatial music. The planned positioning of performers throughout the hall, as well as on stage, is an essential factor in his composing scheme and a point of departure for a radically expanded range and intensity of musical expression. Brant’s mastery of spatial composing technique enables him to write textures of unprecedented polyphonic and/or polystylistic complexity, while providing maximum resonance in the hall and increased clarity of musical detail for the listener. Brant’s principal works since 1950 are all spatial. His catalogue now comprises over 100 such works, each for a different instrumentation and requiring a different spatial deployment in the hall. In the mid 1950s Brant felt that “single-style music…could no longer evoke the new stresses, layered insanities, and multi-directional assaults of contemporary life on the spirit” In keeping with Brant’s belief that music can be as complex and contradictory as everyday life, his larger works often employ multiple, contrasting performing forces, as in Meteor Farm (1982) for symphony orchestra, large jazz band, two choruses, West African drum ensemble and chorus, South Indian soloists, large Gamelan ensemble, percussion orchestra and two Western-style solo sopranos.
Brant’s spatial experiments have convinced him that space exerts specific influences on harmony, polyphony, texture and timbre. He regards space as music’s “fourth dimension” (after pitch, time and timbre). Brant continues to experiment with new combinations of acoustic timbres, even creating entire works for instrumental family groups of a single timbre: Orbits for 80 trombones, Ghosts & Gargoyles for 9 flutes, and others for multiple trumpets, flutes and guitars. This predilection for ensembles of a single tone quality dates from Angels and Devils (1932). Brant does not use electronic materials or permit amplification in his music.
A member of the American Academy of Arts & Letters, Brant was awarded the 2002 Pulitzer Prize in Music for Ice Field (2001). He has received two Guggenheim Fellowships and was the first American composer to win the Prix Italia. Among other honors are Ford Foundation and Fromm Foundation grants, Koussevitsky and National Endowment for the Arts awards, and the American Music Center’s Letter of Distinction. Brant’s work has found municipal recognition in an official Henry Brant Week in Boston (1982), in a series of ten all-Brant concerts at the Holland Festival in Amsterdam (1984), and in New York City’s Certificate of Appreciation (1992). The Paul Sacher Foundation in Basel has acquired the complete archive of Brant’s original manuscripts (1998). In conjunction with Brant’s 85th birthday concert, Wesleyan University conferred upon him the honorary degree of Doctor of Fine Arts (1998).
Born in Montreal of American parents in 1913, Henry Brant began composing at the age of eight. After moving to New York in 1929, he composed and conducted for radio, films, ballet, and jazz groups. Starting in the late 40s, he taught at Columbia University, Juilliard, and, for 24 years, Bennington College. In 1981, he settled in Santa Barbara, California, where he died at home, on April 26, 2008, at the age of 94.
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Cover Title (Subtitle) Duration Instrumentation Drag Here to Add To List Non-Spatial Works ORCHESTRA / CHAMBER ORCHESTRA An Adventure 19896 5:00 3 3 3 2 – 2 3 2 0; Timp. Perc. Pno. Hp. Str. Ballad (The Half Songs) 19904 6:00 2 1 2 2 – 2 2 1 0; Perc. Pno. Str. Decision 19922 7:00 3 2 2 2 – 4 3 3 1; Timp. Perc. Str. Dedication in Memory of a Great Man 19923 7:00 2 2 2 2 – 4 3 3 1; Timp. Perc. Str. Downtown Suite 19928 6:00 1 1 2 1 – 2 2 1 0; Timp. Perc. Pno. Str. Or Fl.(dbl. Picc.) Cl. Pno. 3Vln. Vla. Vcl. Cb. Symphony in B-flat
(The Nineteen Thirties)20000 21:00 3 3 3 3 – 4 3 3 1; Timp. 3Perc. Str. Symphony No. 2
(Promised Land)20001 21:00 2 2 2 2 – 4 2 3 1; Timp. 2Perc. Str. Variations on a Canadian Theme 20007 12:00 3 3 3 2 – 4 3 3 1; Timp. Perc. Hp. Str. Whoopee In D SC49 Orchestra Whoopee in D major: (Overture for a Fine Orchestra) 20013 5:00 1 1 2 1 – 2 2 1 0; Perc. Pno. Str. Solo Instrument with Orchestra/Chamber Orchestra Concerto for Alto Sax and Orchestra
Piano Reduction by Elizabeth Ames – Foreword by Dr. Noah GetzW2659 Alto Saxophone in Eb, Piano Concerto for Alto Saxophone Solo Or Trumpet Solo O5319 18:00 Chamber Ensemble Concerto for Alto Sax and Orchestra CY2992F full score Concerto for Clarinet and Orchestra 19913 12:00 Solo Cl.; 2 1 2 2 – 2 2 1 0; Timp. Perc. Pno. Str. Concerto for Saxophone and Orchestra 19914 20:00 Solo Eb Alto Sax; 2 2 2 2 – 0 3 2 0; Perc. Pno. Str. Fantasy and Caprice
(Concerto for Violin and Orchestra)19930 15:00 Solo Vln.; 3 3 3 2 – 2 3 2 0; Timp. Perc. Pno. Hp. Str. STRING ORCHESTRA Saraband 19990 2:00 Solo violin (or viola); str. Two Choral Preludes 20005 9:00 String Orchestra Two Lyric Interludes 20006 4:30 String Orchestra BAND/WIND ENSEMBLE Millennium I 19965 6:00 tpt.(8); perc.(3) Signs and Alarms 19992 9:00 picc., cl.(2); tpt., hn.(2), tbn., tba.; timp. perc. Signs and Alarms-Full S FE198 full score Street Music
(3 Places in Montreal)19998 8:00 cl.(2), a.sax., t.sax.(2) (b.cl.), b.sax.; tpt.(2), tbn.(2), tba.; perc. Whoopee in D major 20012 4:00 picc., fl., ob.(2), cl.(2), bsn., cbsn.; hn.(2) Solo Instrument with Band/Wind Ensemble Concerto for Alto Sax or Trumpet with Nine Instruments 19911 22:00 Solo alto saxophone (or trumpet); fl., cl.(4), a.cl.(or b.cl.), b.cl.; tba.; perc. Concerto for Clarinet and Dance (Jazz) Orchestra 19912 12:00 Solo clarinet; a.sax.(2), t.sax.(2), b.sax.(b.cl.) (all saxes, dbl. cl.); tpt.(4), tbn.(2); cb., drum set, pno., gtr.; vibr. Concerto
for Clarinet Solo with Full Dance OrchestraCY1404F solo Clarinet, Alto Saxophone (2) – Doubling Clarinet, Tenor Saxophone (2) – Doubling Clarinet, Baritone Saxophone-Doubling Bass Clarinet, Trumpet (4), Trombone (2), ContraBass, Drum Set, Piano, Guitar, Vibraphone Statesmen in Jazz: Three Portraits 19997 6:00 Solo clarinet; a.sax.(2), t.sax.(2), b.sax.(all saxes dbl. cl.); hn., tpt.(4), tbn.(2); gtr., pno., cb., drum set, perc. SOLO INSTRUMENT WITH CHAMBER ENSEMBLE Violin Concerto with Lights 20008 20:00 Solo vln.; fl.(picc.), cl.(b.cl.); tpt., tbn.; Perc. pno., hp.; vla., vcl., cb.; 5 musicians who operate lights VOCAL QUARTET WITH CHAMBER ENSEMBLE Four Skeleton Pieces 19937 9:00 Solo soprano, alto, tenor, bass voices; picc., fl., cl.; tpt., tbn.; perc.(6), pno.(4hands) The Scientific Creation of the World 19991 10:00 Solo soprano, alto, tenor, baritone voices; picc.(2), cl.; tpt., tbn.; perc.(4), pno., hp., accordion (2) CHAMBER MUSIC With Soloist Divinity 19926 8 solo hpschd.; tpt.(2), hn., tbn.(2) Feuerwerk
(Words over Fireworks)19932 6:00 Solo female speaker; picc., Eb cl., bsn.; Timp. chimes, hpschd., pno.; vln., vla. Newsflash 19971 3:00 for narrator and jazz drummer Piri CY1456 full score, Flute, glockenspeil, Piano, harp 2 Instruments Ballad CY1342 Violin, Piano Duo CY1388 vlc., pno. Partita CY1458 Flute and Piano (set) Two Rush Hours In Manhattan CY1940 Violin, Piano 3 Instruments Ice Age 12496 8:00 Cl. Glock. Pno. Ice Age
For Clarinet, Glockenspiel, and Piano144-40105 Ice Age (Revised Score&Parts) 114-41237 Imaginary Ballet CY1338 full score, picc., vlc., pno. Music for A Five and Dime CY1426 full score, pno., perc. (kitchen hardware); or Eb cl.; perc., pno.; or vln.; perc., pno. Strength Through Joy In Dresden: Introduction and Coda To A Theater Piece CY1933 Oboe, alto saxophone in Eb, Piano 4 Instruments Conversations In An Unknown Tongue CY1401 full score, vln., vla., ten. vln., vlc. Four Mountains in the Amstel 19936 20:00 SATB choruses (4); tpt.(4), tbn.(4); perc.(4) From Bach’s Menagerie 19939 12:00 Saxophone quartet (s.sax., a.sax. t.sax. b.sax.) Funeral Music for the Mass Dead 19940 6:00 2Tpt. 2Tbn.(1947; revised 1984) Galaxy I CY1352 full score, cl., hn., vibr., chimes Handorgan Music
1933 VersionCY1490 2 Pianos 4 Hands Handorgan Music
1984 VersionMXE26 2 Pianos, 4 hands, xylophone, glockenspiel, drum set A Requiem in Summer 19987 8:00 fl., ob., cl., bsn.; vln., vla.(2), vcl. (1938 version) Variations On A Theme By Robert Schumann CY1362 full score, trumpet, timpani, 2 Piano 5-9 Instruments All Souls Carnival CY1341 full score, fl. (picc.), vln., vlc., accordian, pno. American Commencement 19897 5:00 tpt.(2), tbn., bar.hn., tba.; perc.(2) Aria With Thirty Variations
(Goldberg Variations, Bwv 988)(arr.)CY1476F full score, flute, oboe, clarinet in Bb, bassoon, horn in F Galaxy ll 19941 5:00 picc., cl.; hn.(2), tpt., tbn.; glsp., timp. Hieroglyphics II 19947 11:00 Solo Vln.; hp., cel., Timp. Chimes Kitchen Music 19959 5:00 tin can cello, tin can bass; tuned bottles, tunes water glasses, (glsp.) The Marx Brothers
Three Faithful PortraitsCY1434 Full Score, Picc., Fl., Ob., Pno., Hp., Vla., Vlc., (optional accordian replaces ob.) A Requiem In Summer CY1467 full score, ob., cl., bsn., hn. Stresses 19999 5:30 Tpt. Perc. Pno. Cel.. Str.(2.1.2.1.0) PERCUSSION ENSEMBLE Origins (Symphony for Percussion) 19979 22:00 Perc.(18 player, 70 instr.) (opt. Tbn. Tu.) A CAPPELLA CHORUS December Madrigal 19921 4:00 SSAA chorus, a cappella Peace Music for U.N. Day 19981 1:00 SATB chorus, a cappella The Three-Way Canon Blues
For Either Women, Men, Or Mixed Voices362-03285 1:10 Mixed Chorus TWO PIANOS Four Choral Preludes CY1348 2 Pianos 4 Hands Toccata On “Wachet Auf” CY1934 2 Pianos 4 Hands SOLO INSTRUMENT The Big Haul CY2075 Cello Confusion In The Salon CY1402 Piano Country Tunes In Jazz CY1391 Piano Four Traumatics O5447 Piano Mobiles 1
For Solo FluteCY1427 Flute Oases CY1466 solo Cello Two Conclusions CY3398 Piano Spatial Works ORCHESTRA / CHAMBER ORCHESTRA Antiphony I 19901 12:00 Optional men/women chorus (or high/low); 3 3 3 0 – 4(or 5) 3 3 0; Timp. Perc. Str. Antiphony I
Chamber Version19902 12:00 1 1 1 0 – 1 1 1 0; Timp.(or chimes), Glsp. Str.: 1 1 1 1 1; opt. solo voices (SB, SA or TB)-5 Groups (3 Conductors) Antiphony One O5028 10:30 Orchestra Curriculum ll: Spatial Tone Poem 19919 15:00 1 2 1 2 – 1 1 1 0; Timp. Pno. Hp. Str. Desert Forests O5445 15:00 Orchestra Desert Forests 19924 12:00 3 3 4 3 – 5 3 3 1; Timp. Perc. Pno.(opt.) Cel. Hp. Str. Ice Field SC50 Symphony Orchestra Ice Field
(Spatial narratives for large and small orchestral groups)19950 21:00 3 picc.(3)/3/3/3; 4-6/3/3/1; Timp. perc.(4), pnos.(2), org.(improv.), hp.(2); str. On The Nature Of Things O5351 Violin, Glockenspiel, ContraBass, Cello, Bassoon, Clarinet, Flute, Flute, Horn, Oboe, Viola On the Nature of Things (After Lucretius) 19977 14:00 3 1 2 2 – 1 0 0 0; Glsp., Hp. Str.(unison vln., vla., vcl.) (optional added parts: Fl. Bsn. Pno. Cb.) Plowshares and Swords 19983 15:00 9 orchestra groups in 74 individual parts 3(dbl. Picc.) 3 3 3 – 4 3(3rd dbl.Flugel.) 3(3 dbl.Euph.) 1; Timp./Bs.Dr.(3), 3Perc.(incl. Drum set, 3 steeldrums); 2Pno. Str.(14.10.8.8.6) Prisons of the Mind 19984 23:00 Orchestra I: 1 3 1 3 – 0 0 3 1; Timp. 2Perc. Pno. Hp. Str.; Orchestra II: 2 0 4 0 – 0 0 0 1; Timp. 2Perc. Pno. Hp. Str.; Brass I: 4Hn. 2Tpt.; Brass II: 4Hn. 2Tpt. 2 Steel drum bands (7 drums each); Conc. Band I: Fl.(8) (Picc.) Trinity of Spheres 20004 11:00 3 orchestra groups (3 conductors) 3picc./3/3/3 – 4 3 3 1; Timp. 3Perc. pno.(4 hands), 2Hp. str. SOLO INSTRUMENT(S) AND/OR SOLO VOICES WITH ORCHESTRA/CHAMBER ORCHESTRA Antiphonal Responses
(Triple Concerto for 3 Bassoons)19900 18:00 3 solo bassoons; 2 2 2 0 – 4 2 2 1; Timp. Perc. Pno. Hp. Str. Ceremony 19908 12:00 Solo soprano, alto, tenor, bass voices; solo violin, cello, oboe; fl.(2), cl.(2), bsn.(2); tpt.(2), tbn.(2); timp., perc.(3), pno.(4 hands) The Glass Pyramid 19944 18:00 Solo Eb Cl., Solo Hn., Solo Chimes; E.H. Bsn. Cbsn. 2Pno. Str.(4.2.2.2.0) Inside Track 19954 16:00 Solo coloratura soprano voice; 2 light projection keyboards (opt.); 1 1 1 1, A.Sax.(dbl. B.Sax) – 1 1 1 0; Perc.; 2Vln. Vla. 2Vcl. Cb. Litany of Tides: Spatial Antiphonies 19961 25:00 Solo Vln.; Solo Soprano (4 voices); 3 3 3 3 – 5 3 3 2; Timp. Perc. 2Pno. Mand. Hp. Str.(6 groups plus stage) (2 conductors) Nomads: Triple Concerto 19972 18:00 Solo baritone (or bass) voice; Babone (tbn. with bsn. bocal reed) or sax.; steel drums; picc.(3)/2-3/2-3/2-3; 4/4/3/1; Timp. perc.(3-4); str. Odyssey Why Not? 19974 22:00 Solo flute; 1 2 2 2 – 2 2 2 0; Timp. Perc. Pno. Hp. Str. On the Nature of Things (After Lucretius) 19976 14:00 Solo flute, oboe, horn; Trio: fl., cl., bsn.(if no bsn. the trio may consist of glsp. plus unison of fl. and cl. [as many as possible] 3 fl.; or 3 a. fl.; or 3 tenor recorders); Quintet: tpt.(2), hn.(2), tbn.; tba.; perc. SOLO VOICE(S)/NARRATOR WITH ORCHESTRA/CHAMBER ORCHESTRA Homage to Ives 19948 20:00 Solo baritone voice; 3 3 3 3 – 4 3 3 1; Timp. 2Perc. Hp.(improv. Pno. obbligato) Str. Mergers 19963 18:00 Solo mezzo-soprano, baritone voices; 3 3 3 3 – 4 3 3 1, Bar.Hn.; Timp.4 Perc. Pno. Org. 2Hp. Str.(5 conductors) The Old Italians Dying 19975 18:00 Narrator; 3 3 3 3 – 5 3 3 1; Timp. Perc. Pno. Hp. Str. (2 cond.) Rainforest 19986 50:00 Solo soprano, alto, tenor, baritone voices; 1 1 1 1 – 1 1 1 0; Perc. Pno. Hp. Str.(4.0.2.2.1) Voyage Four 20010 25:00 Solo soprano voice; 3 3 1 3, Alto Sax – 4 3 3 1; Timp. Ch., Xyl., Glsp., Mand., Pno., Hpschd., Org.(2 players), Hp. Str. (3 cond.) STRING ORCHESTRA Consort for True Violins
(Octet)CY1387F 19:00 full score, piccolo Violin, contra-Bass Violin, baritone Violin, tenor Violin, contra-alto Violin, mezzo Violin, soprano Violin, Bass Violin Labyrinth 19960 13:00 Solo soprano (2), alto (2) voices; str. orch. Two Choral Preludes CY4011F :00:00 String Orchestra Two Lyric Interludes
For String OrchestraCY4012F :4:00 String Ensemble ORCHESTRA AND BAND/WIND ENSEMBLE Larger Ensembles (>40 players) 500: Hidden Hemisphere 19895 60:00 3 concert bands; steel drum band American Debate 19898 4:00 Large School Band in two separated groups Crystal Antiphonies 19917 25:00 Orch.: 3 3 3 3 – 4 3 3 0; Timp. 2Perc. Pno. Str. Band: picc.(6), cl.(12), alto. Sax.(2), ten. Sax.(2); hn.(4), tpt.(6), flugelhn.(7), tbn.(6), bar.hn.(2), ten. tba.(2), bs. tba.(4);timp., perc.(5), handbells (3 chromatic octaves), pno., ce., hp. Festive Eighty 19931 16:00 concert band in 5 groups Immortal Combat 19952 12:00 Large Concert Band in 2 separated groups: I: picc.(6+), cl.(16); tpt.(7), timp., perc.(3); II: hn.(8), tbn.(6), bar.hn. or euph.(4), tba.(5); perc.(4) (2 conductors) Kingdom Come 19958 22:00 Solo women’s voice; organ obbligato; 6 3 6 3, 2Alto.Sax., Ten.Sax., B.Sax. – 8 6 6 3, Bar.Hn.; Timp. 12Perc. Org, 2Hp. Str. Millennium ll 19967 12:00 Solo soprano voice (opt.); opt. sax: alto(2), ten.(2), bar.(2); tpt.(10), hn.(8), tbn.(10), t.(2); timp., perc. Sixty/Seventy 19994 1:10 picc.(2), cl.(2); hn.(2), tpt.(2), tbn.(2), bar.hn.(2), tba.(2); timp., perc.(4) Smaller Ensembles (<25 players) 4 Doctors 19894 1:00 4 B-flat Tpt. In 4 corners of hall w/chimes on stage (add’l versions: 4 equal Saxes, 4 Tbn., w/Timp.) Horizontals Extending 19949 8:00 picc., fl., Eb cl., cl. bsn.(2), a.sax., t.sax.(or a.sax.); hn., tpt.(2), tbn. tba.; timp., perc., drum set Jericho 19956 2:00 tpt.(16 in four groups); jazz drummer Millennium IV 19966 14:00 tpt.(2), hn., tbn., tba.; (11′)or tpt.(2), hn., tbn., bar.hn. (8′) Millennium lll: Anniversary Procession 19968 5:00 2Tpt. 4Tbn. 6Perc. SOLOIST(S) WITH BAND/WIND ENSEMBLE A Plan of the Air 19982 21:00 Solo soprano, alto, tenor, baritone-bass voices; picc.(2), fl.(9), cl.(8), a.cl., b.cl., cb.cl., a.sax.(opt.), t.sax.(opt.); hn.(7), tpt.(4), tbn.(4), tba.(5); perc.(12), org.(2 conductors) Tremors – Spatial Declamations for 4 Voices and 16 Instrumentalists 20003 12:00 Solo voices: Soprano (coloratura range), mezzo soprano, tenor, bass; picc., cl.(2), bs.sax., cbs.sax.; hn.(2), picc.tpt., tpt., ten.tbn., bs.tbn., tba.(2); timp., bs.steel-drums(2), chimes CHAMBER ENSEMBLE Invisible Rivers 19955 22:00 Solo coloratura soprano; Eb cl.(b.cl.); Perc. Pno. vln., vla., vcl., cb. The Marx Brothers O5340 Chamber Ensemble Revenge Before Breakfast 19988 9:00 3 duos: picc (guiro)-cl (maracas), vln (Chinese block)-vlc (cowbell), xyl/glsp (susp cym.); accord (or hp) SOLO INSTRUMENT WITH CHAMBER ENSEMBLE Barricades 19905 10:00 Solo voice; picc., ob., eng.hn., cl., bsn.; tbn.; xyl., pno.; vln., vla., vcl., cb.. Options: 1. eng.hn. Tacet; 2. tpt. Replaces voice;3. s.sax. Replaces ob., and eng. Hn remains tacet. Optional inst.: vln. II;b.cl. with extension (separate player) Chanticleer 19909 10:00 Solo clarinet; chimes, pno.; sop. vln., vln, vla., ten. vcl. Ghost Nets 19942 25:00 Solo contrabass; horn obbligato; fl., cl.; str. quartet; ob., bsn.; str. quartet (2 cond.) Ghosts and Gargoyles 19943 20:00 solo flute with flute octet and jazz drummer Ghosts and Gargoyles CY2997F full score Inside Track Y1863 Joquin 19957 5:00 Solo Picc.; E.H. Bsn. A.Sax. Hn. Vcl. Cb. SOLO VOICE(S) WITH CHAMBER ENSEMBLE The Cain Within 19907 3:00 Solo male declaiming voice (amp.); tbn.(2); perc.(6), pno. Conclave 19915 12:00 Solo mezzo-soprano, baritone voice; picc., fl.(2), ob.(2), (eng.hn.), cl.(2) (b.cl.), bsn.(2), (cbsn); pno., hp., timp., glsp. Curriculum l: Poem for Spatial Chamber Music 19918 15:00 Solo baritone voice; b. fl., b.cl.; Timp. Perc. Pno. vla., vcl., cb. Dialogue In The Jungle 19925 12:00 Solo tenor (or solo tenor and solo soprano); fl.(picc.), ob., cl., b. sax; hn.(2), tpt.(2), tbn., tba.(opt.: tbn. 2 replaces b.sax.) Encephalograms ll 19929 7:00 Solo soprano voice; picc., ob., cl., perc., pno., hp., org.(opt.) The Fire Garden 19933 12:00 Solo tenor or soprano voice; unison voices (opt.); fl.; Timp. perc.(4), pno., hp.(opt.) Glossary (Computer Jargon) 19945 30:00 Mezzo-Soprano; fl.(picc.), cl.(Eb cl. and Bass Cl. w/ extension), sop. sax.(bar. sax.),; org., hp., mand., pno.; perc.(2); vln., vla., vcl., cb. Mythical Beasts 19970 12:00 Solo mezzo-soprano voice; 1 1 1 1 – 2 1 1 0 (or 1 1 1 1); Perc. Pno. 2Vln. Vla. vcl. Cb Pathways to Security 19980 Solo baritone voice; fl.(picc.), cl.(b.cl.); Timp. perc. pno. accordion (or org. or melodica) (opt. hp.); vln., vla., vcl., cb. CHAMBER MUSIC With Soloist(s) An Era Any Time Of Year CY2116 Set contains: 2 Baritone voice + kybd, 4 percussion and Piano Cerberus
For Piccolo and Double BassCY1757 4:00 piccolo, ContraBass Destination Unknown CY3347 solo Bass Flute, harp Divinity-Brass Quintet FE76 The Fourth Season 19938 7:00 Solo mezzo-soprano voice; fl., ob., ten. sax.(opt.); perc.; vln. Headhunt CY1335 playing score, solo trombone, Bass clarinet, Bassoon, timpani, chimes, contraBass (5 required for performance) Hieroglyphics I CY1340 full score, solo Viola, hp., cel., timp., chimes Hieroglyphics Ii CY3416 full score, solo Violin, hp., cel., timp., chimes Lombard Street CY1942 full score, org., perc. (4) Mobiles II 19969 5:00 Solo flute (a. fl.); vibr., pno., hp., org.(accordion); vln., vcl. Prophets 19985 18:00 Four Jewish Cantors and one Shofar Quombex
After Margaret Stark’s Sculpture ‘Bird With Passenger’CY1465 4:00 Viola D’amore, 2 music boxes, optional pipe (NOT electronic) Organ Underworld
Black WhalesCY1438 a. sax (or b. sax), Organ 4 Instruments Four Score CY2267 full score, vln.( or mezzo-Vln.), vla., ten. vlc.., vlc., mezzo-Vln. (Obligato) 5 Instruments Crossing The Bridge Before You Come To It CY1943 Performance Set:, 3 playing scores, harp part Crossing the Bridge Before You Come to It 19916 10:00 fl.(alto fl.), pno.(or any 1: glsp., hpschd.,hp., org.); vln., vcl. Prevailing Winds-Woodwi FE81 INSTRUMENTAL ENSEMBLE OF A SINGLE TONE QUALITY Flight over a Global Map 19935 40:00 tpt.(50); perc.(3); pno. If You Don’t Like Comets, Get Out of the Solar System 19951 5:00 Two groups of fire truck sirens (minimum 5 per group). (More than 10 may be used) Mass in Gregorian Chant
for Multiple Flutes19962 25:00 5Picc., Fl.(40 or more) Orbits 19978 21:00 Solo coloratura voice; tbn.(80 different parts); org. Rosewood 19989 15:00 Gtr.(50 or more) PERCUSSION ENSEMBLE Dormant Craters 19927 30:00 Perc. orch. of 16 players; 40 instruments including: gamelan set, handbells (3 chromatic octaves), steel drum choir MISCELLANEOUS (6) Grand Pianos Bash (6) Plus Friends 19893 5:00 picc.(3) (blow sirens); tpt., tbn.; perc.(3), pno.(6) In Praise of Learning 19953 5:00 Solo soprano voices (16); women’s chorus; perc.(17) Trajectory 20002 20:00 Solo soprano, alto, tenor, baritone voices; solo flutes (2); cl.; tpt., tbn.; perc.(10), 2 pnos., (hpschd.), hp., accordion (2); vln., vla., vcl., cb. Vita de Sancto Hieronymo 20009 19:00 Solo soprano (2), alto (2), tenor (2), baritone (2); pno.(or cl.; tba.); perc. (women’s chorus and men’s chorus may replace solo voices) CHORUS(ES), SOLOIST(S), AND INSTRUMENTS American Weather (Antiphonal Motet) 19899 5:00 Solo soprano (2), alto (2), tenor (2), bass (2) voices; SATB chorus; tpt., tbn., glsp., chimes The Children’s Hour 19910 18:00 Solo soprano, mezzo-soprano, contralto, tenor, high baritone, low baritone voices; SATB chorus; tpt.(2), tbn.(2); jazz drumset, Perc. org. Grand Universal Circus 19946 70:00 SATB chorus; fl.(4); tpt.(2), tbn.(2); perc.(4), hp.(2), pno., hand organs (or accordion) (2); org. Sing, O Heavens 19993 11:00 Solo Soprano, Alto, tenor, baritone; SATB chorus; tpt., tbn.; perc.(2), pno., timp. Solomon’s Garden 19996 16:00 Solo soprano (2), mezzo-soprano, counter tenor, baritone (2) voices; SATB chorus; fl.; perc.(2), pno., hp., handbells (24 – assigned to chorus) Wind, Water, Clouds, and Fire 20014 20:00 Solo jazz tpt.(open), solo improv. Xyl., solo improv org.; Chorus 1 (14 unis S) w/fl obbligato; Chorus 2 (20 unis S) w/ob obbligato; Chorus 3 (20 unis S) w/sop. Sax. obbligato;Chorus 4 (60+ unis children) + 2 unis cl. w/picc.tpt. Obbligato;tpt. Quartet CHORUS(ES), AND/OR SOLOISTS AND INSTRUMENTAL GROUPS Autumn Hurricanes 19903 60:00 Solo soprano, 2 baritone voices; SATB chorus; wind ensemble; jazz group; str. group; perc. group; pno.(2), org.(2 players) (5 cond.) Bran(d)t an de Amstel 19906 180:00 fl.(100) 4 Jazz Drumsets; (4 boatloads of 25 flutists, 1 jazz drummer and one cond.) 3 SATB choruses, 4 street organs, 4 church carillons, 3 concert bands (10 cond.) December
Dramatic Cantata with Dialogues19920 20:00 Solo soprano, tenor voices; male and female speakers; SATB chorus; fl., ob.(2), cl.(2); hn.(4), tpt.(4), tbn.(4); timp., perc.(3), pipe organ Fire in Cities 19934 6:00 Chorus I: men/women; Chorus II: SATB; fl.(2), ob.(2), cl.(2), a.sax.(2); tpt.(2), tbn.(2); timp.(2), perc.(6), pno.(4), org.; unison str. Meteor Farm: A Spatial Concerto of Ceremonies 19964 60:00 solo soprano (2); Lg. Chorus (w/2 alto sax., ten. Sax.), Sm. Chorus (w/2 picc./fl.); Orch: 3 2 3 2 – 4 0 0 0; Str.; Wall Brass: 3Tpt., 3Tbn., Perc. I: timp, xyl., mar.(2 players), steel-drums (2), pno. Perc. II: timp., glsp., vibr., chimes, steel-drum Northern Lights over the Twin Cities 19973 96:00 Solo coloratura, soprano, mezzo-soprano, tenor, baritone and bass voices; 2 SATB choruses (lg., sm.); picc.(5)/3/13/b.cl./2/cbn./s.sax., a.sax.(2), t.sax.(2), b.sax.; 4/4/4/bar.hn.(3)/3; timp.(2), perc. pno.(5), bagpipes; str. Skull & Bones 19995 60:00 Solo coloratura, soprano, tenor, baritone, and bass voices; SATB chorus; Orchestra: 3 2 2 2- 4 3 3 1; 15Perc. Pno.(4 hands) Org. Str.; flute choir (20+);Jazz ensemble: 2Sop.Sax., 2A.Sax. 2Ten.Sax. 1B.Sax. 6Tpt. 2Tbn. 2Perc. Western Springs 20011 38:00 SATB chorus (2); Orchestra I and II: 2 2 2 2 – 2 2 2 1; Timp. perc.(2), pno.; str.; Jazz combos I and II: s.sax., a.sax., t.sax. b.sax.; tpt., tbn.; perc.(4), (4 cond.) SCHUMANN, ROBERT Four Leaves CY1390 full score, vln. (2), vla., vlc. (2) Four Leaves
for Piano(arr.)21279 8:00 String Orchestra MISCELLANEOUS Agnus Dei II
(from “Missa Papae Marcelli”)(arr.)21166 3:00 Flute ensemble Ave Regina Coelorum
(Motet for High Voices)(arr.)21167 3:00 Flute quartet or ensemble Bach Goes To Town(arr.) 524-08481 Clarinet Quartet Four French Baroque Pieces CY1354 Percussion Ensemble OTHER Aus tiefer Noth Schrei’ ich zu dir(arr.) 19585 8:00 picc.(2), fl.(3), a. fl., ob., eng.hn., bsn.(3); hn.(4), tpt.; cb.(optional parts for cl., b.cl.) Kyrie, Gott Heiliger Geist, BWV 671(arr.) 19598 6:00 4 0 4 2 – 0 3 3 1, 2Bar.; Timp. Pno. Str. Quartet In B-Flat Major, Op. 130, Cavatina(arr.) CY1637 full score, fl., ob., cl., bsn., f. hn. Quartet In C-Sharp Minor, Op. 131(arr.) CY1608 full score, woodWind quartet Quartet No. 1 In C Minor, Op. 51(arr.) CY1486 full score, fl., ob., cl., bsn., f. hn. String Quartet In D minor (posthumous) Scherzo and Finale(arr.) 21275 Scherzo: 4: Finale: 6: 00 2 2 2 2 – 2 2 3 0; Timp. Str. Textures and Timbres
An Orchestrator’s HandbookTXT6