A Movie That Creeps to Its Own Choreographic Beat
Brian Rogers, artistic director of the Chocolate Factory, has made a movie featuring familiar figures from the dance and performance world.
Highlights
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CreditBrian Rogers -
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CreditAndrea Mohin/The New York Times Review: ‘Pula!’ Dancing for Rain on Broadway
The story in this song-and-dance show from Botswana turns on drought but the experience is one of abundance.
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CreditAndrea Mohin/The New York Times Critic’s Notebook
Indian Dance: Motion in Stillness, Stillness in Motion
The weeklong Drive East season showed how Indian dance has been extending its range not just in style but also in content.
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CreditSara Krulwich/The New York Times A Ballet Crowd, Bustin’ Out All Over ‘Carousel’
Amar Ramasar, Brittany Pollack and Craig Salstein get a chance to stretch on Broadway. With Justin Peck, they talk about the challenges and rewards.
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Credit Liberating Bodies at Rockaway
“You kind of let go” to dance Biba Bell’s “Hustle on the Beach,” part of Beach Sessions Dance Series at Rockaway. Watch a portion.
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Credit An Epic Heroine in New York
The Bharatanatyam dancer Neha Mondal Chakravarty didn’t mind performing on a rainy city sidewalk: “Sometimes it’s about the bliss that you get in just exploring.”
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Credit Fabel’s Freestyle Wild Style
Popmaster Fabel improvised this solo for us: “I’m basically freestyle popping — Electric Boogaloo style, and some other techniques that I’ve learned along the way.”
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Credit Some Bach, and All of Robert Garland
Watch Crystal Serrano and Da’Von Doane in a portion of Mr. Garland’s “New Bach,” created for Dance Theater of Harlem in 2001.
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Credit Where Language Meets Dance
In this choreographic experiment, Will Rawls spells out a phrase from Sonia Sotomayor’s dissent in the Supreme Court’s travel ban decision.
