Review: ‘A Chorus Line,’ Still High-Stepping but Showing Its Age
City Center’s production of the landmark musical from 1975 is a pleasure, an education and a problem.
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City Center’s production of the landmark musical from 1975 is a pleasure, an education and a problem.
By JESSE GREEN
Hansol Jung’s industriously imaginative play uses visions of winged flight to explore the loneliness of two ambivalent lovers in Seoul.
By BEN BRANTLEY
John Doyle’s inventive revival of Brecht’s 1941 satire about Adolf Hitler is more impressive for theatrical ingenuity than topicality.
By BEN BRANTLEY
The Big Apple Circus returns with oversize airborne cranberries, a steamy aerial ballet and a prancing pig.
By ALEXIS SOLOSKI
How three Broadway actresses capture the essence of one superstar: Thank the costumes, “Burlesque” — and white teeth.
By ELISABETH VINCENTELLI
The unexpectedly popular production has already been extended four times at its original home, the Museum of Jewish Heritage.
By DANYA ISSAWI
Four times recently he’s stopped his solo Broadway show to make his feelings known — gently but firmly. Getting too angry can backfire.
By MICHAEL PAULSON
New York City Center’s gala production of the musical is being staged by Bob Avian and Baayork Lee, who have been with the show since its inception.
By JOSHUA BARONE
After eight years of development, a peppy musical about the value of persistence proves its own point.
By JESSE GREEN