The Jewess: as represented by artists

from ancient times to modern, from archetypal subversive-destructive pre-Biblical and Biblical Jewesses (Jael, Lilith, Esther, Judith, Salomé, etc.) to equally subversive-destructive contemporary Red, Zionist, and “feminist” Jewesses, the seductive female Jew has been a subject of artistic contemplation. As the following examples indicate, artistic appreciations of the Jewess often highlight various physical, psychological, and moral aspects of the distaff Tribal even more effectively than mechanical photographs:

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yes, it sure did. The Jewess Shaked, one may recall, is she who while still a member of the Zionist ~~Reichstag~~ Knesset and during the 2014 Gaza Massacre made positively genocidal remarks about Palestine’s Arab population. Tell ‘ya what, Jewess: that knife can cut two ways. BTW, not a bad representation of the Shaked; she may eventually be honored with a page here.

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effective representation of an opulent, oversexed ex-Iranian (Mizrahic) Jewess now holed up in ‘Murka; cf. Sarit Sarah Elghanian (V/#H73), Ellisa Sarah Ghert-Zander (V/#F50), and other T5 specimens. Relations between the nominally “white” ashkenazic Jews and the duskier sephards and mizrahi, both within Israhell and in the Diaspora, are about as described.

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very nice appreciation of a rich, spoiled JAP @ Ezra Klein’s hardleft Jewsite. Some Jews regard this sort of race realism is “anti-semitic”, but evidently not Ezra.

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artist re-take on “Muriel Goldman”, a kosher character in the “Family Guy” TV cartoon. Can’t speak to the accuracy – I turned off the Jewbox and cut the cable many years ago – but this one certainly captures the Jewishness.

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same inquisitional theme, utilizing a 1950’s big-breasted bondage Jewess as model.

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hey..hey…HEY!! what #MeToo stuff is going on here??! and in 1667?! WTF is with these Jews???

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Here’s another rendition of this same mediaevel reality, with more emphasis on the role of female Jews in the atrocity:

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Aliyah Sarah Willis (I/#U200), alias “Alia Janine”, as “caricatured” by artist Momani; again somewhat coarse, but does semi-accurately suggest the racial rack.

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depiction of one Theresienstadt Ghetto inmate by another. Contradicting partly-false images of this and other Jewish ghettos and camps in WWII Europe, this obviously healthy, well-fed Jewess is seen out for a stroll in her spring dress, carrying a bouquet of flowers. In fact Theresienstadt was a “priviliged” ghetto for wealthy and other “connected” German, Austrian, and Czech Jews…most of whom, indeed, were eventually re-deported to Auschwitz or went to the execution pits at Minsk. But this less due to “the Nazis” than to that Ghetto’s intensely Zionist, viciously collaborationist Judenrate. Cf. Livia Rothkirchen, “Zionist Character of the ‘Self-Government’ of Theresienstadt….”, YAD VASHEM STUDIES XI (1976), pp. 56-90, and H.G. Adler, Theresienstadt (London, 2017).