Variety.com

Kirsten Dunst’s new series portrays the heartbreaking realities of multi-level marketing companies and hinges on a pitch-black comedic tone.

“Our Boys” is paced with a punishing slowness, but rewards with tough insight about politics and hate.

AMC’s anthology series continues with a tense, chilling chapter on Japanese-American internment.

“Why Women Kill” is an unsatisfying show cobbled together from vignettes whose leaps between storylines leaves good actors stranded.

The musical adds up to more than the film’s cynical goth fantasia by creating themes and characters (a few) worth caring about.

If anyone could play Hillary Clinton, it’s Laurie Metcalf – and here she is, in Lucas Hnath’s “Hillary and Clinton.”

Adam Driver and Keri Russell make sparks in a passionate dance of denial and discovery, in this Broadway revival of Lanford Wilson’s play.

The Broadway “Be More Chill” feels more even and flows more smoothly than it did Off Broadway.

Madonna sounds uncompromising and less concerned with mass consumption on “Madame X.”

“Western Stars” may not be Springsteen’s most lived-in-feeling album, but its orchestrated ’60s folk-pop is irresistible.

This resumption proves we weren’t just imagining how good their pop chops were in the 2000s.

Morrissey, the quintessentially curmudgeonly crooner, finds the crabbiness in other artists’ songs in the all-covers album “California Son.”