Programme overview
The research activity in GSA at Surrey is supported through our new Institute of Performance. The institute acts as the conservatoire’s research hub providing the base for all our postgraduate research and training. This includes regular research seminars with visiting speakers as well as bespoke training sessions on academic skills. The institute also hosts our Centre for Performance Philosophy that fosters innovative and creative research.
PhD researchers on all programmes in GSA can expect three levels of research training and support:
- University-level training provided by the Researcher Development Programme and the University Library, including a PhD induction, workshops on writing skills and preparation for the confirmation and viva. There is also an annual student-led University Postgraduate conference.
- School-level training is offered in the form of interdisciplinary seminars, reading groups, visiting speaker events and conferences. This includes our annual Practice Research Festival as well as the events aligned with the Centre for Performance Philosophy.
- PhD researchers will also receive subject-specific training through regular reading groups or research seminars. We also host PhD researcher presentations that allow you to share and develop ideas in a supportive environment.
As a research conservatoire, we are fully equipped to offer dedicated time and support to practice research experiments and practical modes of knowledge enquiry. We welcome proposals that will result in an c.80,000 word thesis or a practice research curated portfolio.
Selected areas of current staff research are outlined below, but supervision of other subjects may be accommodated – please enquire with the Director of Postgraduate Research:
- Aesthetics, ethics and politics of participation
- Audience immersion
- Dramaturgy, directing and devising
- Costume and costuming
- Intermediality, the digital humanities and performance
- Live Art and contemporary performance practices
- Performance Philosophy, especially Deleuzian and phenomenological approaches
- Performing Shakespeare
- Performer training
- Theories of space, place and performance
- Trauma, crisis and performance
- Scenography, architecture and material cultures
Our conservatoire facilities include a 200-seat theatre, 15 rehearsal-studios, six performance-studios, an art gallery, design studio, digital media labs, and high-quality recording facilities. The University Library also hosts the longstanding and internationally renowned National Resource Centre for Dance.