‘Portrait of a Lady on Fire’ Cinematography: The Perfect 18th Century Digital Painting
Behind the scene of how Claire Mathon and Céline Sciamma created something truly new in their exploration of the past.
Behind the scene of how Claire Mathon and Céline Sciamma created something truly new in their exploration of the past.
Céline Sciamma breaks down adapting lyrics from Nietzsche, evoking witches and power of sorority, and the creation of the incredible scene.
As HitRecord turns 10, VC funding allows the collaborative community to evolve into a platform that’s less show biz, more Headspace.
Kit Williamson reflects on his web series that started as a $2,000 birthday gift to himself and is now ending its four-season run on Netflix.
With the advent of cameras like the Alexa 65, a new generation of large format filmmaker is using its immersive qualities in exciting ways.
Filmmaker Toolkit Podcast, Ep 92: The “Ad Astra” director opens up about his struggle directing what many are calling his masterpiece.
Legally? Almost never, but that’s not the whole story in the competitive (and litigious) business of Hollywood.
How much is hype, and what’s worth attention? According to the leading creators of iPhone camera apps, filmmakers have reason to be excited.
The 14-time Oscar nominee breaks down his latest film, “The Goldfinch,” and explains why “Blade Runner 2049” was so satisfying to him.
Roger Deakins and Rachel Morrison on how the world of franchise movies and low-budget indies make it a hard time to be a cinematographer.
HBO and David E. Kelley took the show away from Arnold, as executive producer Jean-Marc Vallée tried to return it to his S1 style.
Ethiopian filmmaker Beza Hailu Lemma shares his experience at Cannes’ Marché du Film and his feature filmmaking dreams.