The Music Library Association’s journal, Notes, provides interesting, informative, and well-written articles on music librarianship, bibliography, trade and media, and on certain aspects of music history. Quarterly columns include scholarly book and music reviews, reviews of digital media, as well as lists of books and music recently issued. Information about new periodicals occurs biannually, and a summary of prices relating to monographs on music and music scores is published annually. The journal serves the Music Library Association’s membership, and other readers interested in music libraries, bibliography, and scholarship.
The Music Library Association is the professional association for music libraries and librarianship in the United States. Founded in 1931, it has an international membership of librarians, musicians, scholars, educators, and members of the book and music trades. Complementing the Association’s national and international activities are ten regional chapters.
Note: This article is a review of another work, such as a book, film, musical composition, etc. The original work is not included in the purchase of this review.
This item is part of a JSTOR Collection.
For terms and use, please refer to our Terms and Conditions
Notes
© 2014 Music Library Association
Request Permissions