1972 |
Mike
plays his tape to Tom Newman and Simon Heyworth, both working at The
Manor, who convinces Richard Branson, to release the work. After considering the names Breakfast
In Bed and Opus One the work is entitled Tubular Bells. |
|
1973 |
When
the sessions were completed, Richard Branson and Simon Draper set up the Virgin record
label and issue Tubular Bells on it
on May 25, as nobody or record company seems to show interest on the recording. It raises Nº 1 all over
Europe. |
|
In June, a live performance of Tubular Bells is given at the Queen
Elizabeth Hall in London with Mick Taylor, Steve Hillage, Fred Frith, Ted Speight, David
Bedford, Kevin Ayers, Pierre Moerlen, John Field and Terry Oldfield. |
|
A four minute extract from Tubular Bells is used as soundtrack for
William Friedkin's The Exorcist. |
1974 |
Tubular Bells part 1 is presented for the BBC tv channel in a new intimate
concert. |
|
Mike
moves to Herefordshire nearby Hergest Ridge. Here, he writes a new composition called Hergest Ridge released on August 24. |
|
|
In
December 9, orchestral arrangements of Tubular
Bells and Hergest Ridge
are performed at the Royal Albert Hall in London with David Bedford conducting the Royal
Philharmonic Orchestra with guitar solos by Steve Hillage. |
1975 |
The Orchestral Tubular Bells is
recorded in studio, this time with Mike on guitar, and released on July. Mike don't go on
tour with the Scotland National Orchestra and is replaced by Steve Hillage and Andy
Summers. |
|
Mike's mother, Maureen Liston, dies. Maureen was alcoholic and suffered a mental disease
after she borns a boy with the sindrome of Down. He moves on September to Througham. |
|
In October Mike releases his third great symphonic work called Ommadawn, probably his best recording till
date. He spents around 9 months on this new piece. |
|
Tubular Bells is named Best
Instrumental Composition at Grammy awards in New York. |
1976 |
Due to his big success, Mike begins to have emotional problems, he is
depressed, insecure and takes drugs, so he retreates from public view to rural Gloucestershire to compose Incantations. |
|
On October 26, Virgin releases Boxed
with remixes of Tubular Bells, Hergest Ridge and Ommadawn, as
well as a record entitled Collaborations
including Mike's works with other artists. |
1977 |
After
two-and-a-half years a more optimistic and outgoing Mike
reappears in January as guest guitarist in a performance of David
Bedford's suite The Odyssey at the Royal Albert Hall. |
|
|
The
Liffey Light Orchestra makes the first live performance of The
Orchestral Ommadawn at Trinity
Coolege, Dublin. The Orchestral Ommadawn arra<<<ngement
is never recorded. |
1978 |
Incantations is released on November 24.
Outtakes from Incantations plus portions of Orchestral Tubular Bells, Orchestral Hergest Ridge, Ommandawn
and Portsmouth are used on the soundtrack of The Space Movie. |
|
Mike's comeback to public life brings a new look and new attitude due to his
attendance at a seminar held by Exegesis, a form of therapy designed to enhance individual
assertiveness. During the seminars Mike meets Diana Füller, daughter of his Exegesis
teacher; they get soon married but they get divorced after two weeks. |
1979 |
After having been through therapy Mike feels ready to go on the road for the Tubular
Shows. The tour opens in Madrid and Barcelona, Spain, with 50 musicians and 25
roadies, with 11 further concerts in Europe. As result of the tour a live recording, Exposed, is released on July 17. |
|
|
Mike meets Sally Cooper, a Virgin's secretary. They'll have three children,
Molly, Sally and Dougal, together but never get married. |
|
The tour is so expensive that it becames a financial disater for Mike
and he goes nearly to ruin. |
|
Extracts from various Mike's work are used for the NASA's film The Space Movie. |
|
On November 23, Platinum sees
the light, the first Mike's recording containing shorter songs and a disco
feeling. It is recorded in a rush with session musicians to help recoup
the costs of previous tour. |
1980 |
The
second European Tour begins with a pretty small band. The tour concludes in
Knebworth, July 21, and the concert is shot and later released on video as The Essential Mike Oldfield. |
|
|
Mike
gets his airplane pilot license. |
|
QE2 is released on October 31,
and curiosly both singles taken from it are cover versions of hits by
Abba and The Shadows. Mike's relationship with Branson begins to
deteriorate because Virgin edits Sex Pistols' records and Mike
declares in public that he doesn't like punk. |
1981 |
Mike goes on tour again through Europe and UK. |
|
In July Virgin announces that the ten-million copy of Tubular Bells has
been sold. |
|
In the same month, Mike plays a free concert in London's celebrations of the
marriage of Prince Charles and Lady Diana where he plays his new
composition The Royal Wedding Anthem; later he is awarded the Freedom of the City of
London. |
|
To the end of the year Mike becames part of the establishment, he is
included in
Who's Who, the exclusive guide to Britain's top people, the only pop musician to appear
there apart from him is Paul McCartney. |
1982 |
Five Miles Out is recorded at a studio
built at Mike's home in Buckinghamshire and is released on March 19. |
|
|
Mike
undertakes his biggest tour to date, playing in Europe and North America. |
1983 |
In
May is the tenth anniversary of the release of Tubular Bells
and Virgin asks for a second part of it but Mike releases Crises
instead on May 27, and plays a major premiere concert in July at
Wembley in London. |
|
The
fight between Mike and Branson grows because Mike thinks Branson is giving him
low royalties from the selling of his recordings, so Mike interposes a criminal
complaint. Branson wants Mike to do more commercial music, an idea totally
opposed to
Mike's point of view. Mike is obliged to fulfill his contract with 6 more records. |
1984 |
For tax reasons, Mike moves to a studio in a house 2000 meters up on a Swiss mountainside
overlooking Lake Geneva were he records Discovery,
released on June 25. The record includes only one instrumental track forced by the company
record who must believe that fans prefer vocals songs over instrumental tracks. |
|
A new tour takes place by Europe, the Discovery Tour takes over 50 performances.
Later this year his first full-length film score is released on November 26 for the film The Killing Fields by Roland Joffe
and produced by David Puttman. The score is very different from previous Mike's works,
based around ethnic music from Cambodia. |
1985 |
Mike
meets Anita Hegerland, a norweggian singer who will became Mike's girlfriend for the next
years having two children with her, Greta and Noah. |
|
|
Mike
accepts to do the intro music for an archeological documentary called Hutton Hoo. |
|
Virgin
decides it is time for a retrospective selection of material from Mike's 12-year recording
career. A compilation called The Complete
is issued on October 1. |
1986 |
Mike
concentrates on the creation of a video album with the help from video
engineer Pete Claridge, eventually released on October as The Wind Chimes. |
1987 |
The
video album is so delayed that the audio portion is released as a new
album, Islands, on September 7. |
1989 |
A seven minute version of Tubular Bells is to be performed on the Nicky
Campbell show on the BBC Radio One. This rekindles the idea of a follow up of his first
great album, reworking its themes with 90's technology, and idea long awaited by Virgin's
executives, but Mike is so frustrated with Virgin and Richard Branson
due to royalty payments that his prefers to wait after his contract is
over. |
|
Virgin do not like his music and obliges him to produce easy pop hits.
Mike is very annoyed but he accepts to release Earth Moving on July 10,
probably as part of
an agreement so he will release the following record, Amarok. Earth
Moving is a
non-instrumental record, the first in his career containing only pop songs just to
fulfill
his three-album-left contract with Virgin, but he even puts his best
efforts on the recording. |
1990 |
To
compensate for the release of Earth Moving Mike issues Amarok on June 14, a one instrumental track
recording that Virgin wants to became Tubular
Bells II but Mike insists on saying no to the project. Virgin gets very annoyed
and the album has no any kind of promotion. Amarok becames one of
the most loved works for his fans. |
|
1991 |
Tired
up of Virgin Mike decides to complete his contract with another recording
called Heaven's Open released on
February 18, one of his lowest moments in his career. Mike sings all the songs in the album and signs it with the name of Michael
Oldfield. He and Branson break up his commercial relationship and Mike leaves the Virgin
label. In those days Mike and Anita split. |