‘Lydia Lunch: The War Is Never Over’: All Hail the Queen of the Underground
Beth B.’s doc on the singer/provocateur/No Wave icon
The rapper's compositions are nimble but his stories feel safe
On her debut album, the singer wields the breakup angst and intimacy of “Drivers License” like a glittery dagger
Despite glimmers of the late rapper's greatness, this falls short of becoming the fitting final statement his legacy deserves.
Annie Clark examines her relationship with her father on a retro-minded LP
“[We] didn’t want to do the safe thing and put out another heartbreak ballad,” Rodrigo explains
As psychologist Brooke Taylor, the three-time Emmy winner more than fills the empathetic shoes of Gabriel Byrne's Dr. Paul Weston
In a new comedy from executive producer Tina Fey, a onetime girl-band-on-the-verge reunites for a second chance at success
The director's 10-part adaptation of the Pulitzer Prize-winning novel about an escaped slave is visually stunning and emotionally wrenching
The actor brings wit and warmth as a legendary comic who's paired with a young writer to spice up her stale act
Vampy, stylish, and cruel: Emma Stone embodies the campy dognapper
The follow-up to John Krasinki's out-of-nowhere horror hit continues the story — and feels like it's a little too concerned with franchise-building for its own good
Robert Connolly’s film, starring Eric Bana, is full of little rabbit holes of the mind
Playing a smokejumper with an apparent death wish, the movie star deploys her gaze of steel to have us believing in her heroic abilities