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Agatha Christie's Marple, Series 4
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Product Description
The marvelous Julia McKenzie (Cranford, Notes on a Scandal) assumes the Marple mantle in four gripping new adaptations of Christie novels premiering on PBS this summer. Picturesque English scenery, grand estates, witty scripts, and lavish post-WWII period detail provide the perfect frame for frighteningly fun mysteries (Entertainment Weekly). The fantastic supporting casts include Matthew Macfadyen (Pride & Prejudice), Jemma Redgrave (Bramwell), Anna Chancellor (Four Weddings and a Funeral), Rupert Graves (The Forsyte Saga), Helen Baxendale (Friends), and Joan Collins (Dynasty).
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For many Agatha Christie murder-mystery fans, Marple: Series 4 may feel odd starring yet another new Jane Marple, Julia MacKenzie (Cranford). Moreover, this series does apparently take liberties with screen adaptation; two of its four full-length episodes, "Murder Is Easy" and "Why Didn't They Ask Evans?" are not even among the twelve Christie novels Marple appears in. Yet while Joan Hickson, Margaret Rutherford, Geraldine McEwan, and ultimately many more have played this classic sleuth in previous tellings of this character's plight, and while myriad shows, such as Murder She Wrote have modeled themselves after the illustrious lady detective Jane, the success of this specific program lies in the retelling of Christie's wonderfully complex tales of suspense. Series 4 contains stories woven around death by poison.
Julia MacKenzie's Jane Marple is refreshingly self-assured in her nosiness, and as always, opportunistically capitalizes on how "people love talking to old ladies." While the viewer does catch Marple, on occasion, knitting or enjoying tea, for the most part she's hard at work afield, in her proper tweed suits. Because of this, each episode moves quickly. The plots are so thick that one can hardly keep track of what Marple is learning as she makes discoveries. In episode one, "A Pocket full of Rye," Rex Fortescue, a president of an investment firm, dies with a strange "cereal" in his pocket. Inspector Neele (Matthew MacFadyen) sets out to Yewtree Lodge, the family estate, where he suspects the poisonous Yew seeds came from. Marple gets in on the action, unearthing family secrets about Fortescue's troubled children, Percyval (Ben Miles), Elaine (Hattie Morahan), and Lancelot (Rupert Graves), who has been living in Africa. Which kid did it, one often asks in this series? In most episodes, clues given by housekeepers and chambermaids--in this case, Gladys (Rose Heiney)--help solve the case.
Similarly complicated episodes follow, each involving their own family or village. In "Murder Is Easy," Marple meets by train a kind-hearted Samaritan, Lavinia Pinkerton (Sylvia Syms), on her way to Scotland Yard to reveal crimes that have been occurring in her town. When Marple takes the next train to Lavinia's village to pay respects at her funeral, she teams up with detective Luke Fitzwilliam (Benedict Cumberhatch), to discover that practically everyone in town has a motive for the multiple killings taking place. "They Do It with Mirrors," set at Stoneygates estate, concerns the philanthropic Carrie Louise (Penelope Wilton), who is being slowly poisoned in her own home. We have no idea whether it is her husband, Lewis Serrocold (Brian Cox), daughters Gina (Emma Griffiths Malin) and Mildred (Sarah Smart), or sister Ruth (Joan Collins), who is attempting her murder until the very end. "Why Didn't They Ask Evans?" starring Bobby Attfield (Sean Biggerstaff) and his girlfriend, Frankie Derwent (Georgia Moffett), who take interest in a dying man they find on a cliff, is so incredibly plot-thick that one hangs onto each clue, swayed multiple times before making a real discovery. Indeed, not until the last five minutes of each episode does one grasp what has just happened. While this could be frustrating for those trying to beat Marple's sleuthing, it does establish an almost mystical respect for her ability to figure out what's going on. --Trinie Dalton
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : s_medNotRated NR (Not Rated)
- Product Dimensions : 7.5 x 5.5 x 1 inches; 12 Ounces
- Media Format : Color, NTSC, Widescreen, Box set
- Run time : 1 hour and 33 minutes
- Release date : August 5, 2012
- Actors : Julia McKenzie
- Language : Unqualified
- Studio : ACORN MEDIA
- ASIN : B001UWOLQG
- Number of discs : 4
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Agatha Christie's Marple: Season 1
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Agatha Christie's Marple: Season 3
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Agatha Christie's Marple: The Moving Finger
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Agatha Christie's Marple: Season 2
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First up, The Good (3.5 stars): "They Do It With Mirrors". Joan Collins plays--what else--a rich and glamorous chum from Miss Marple's past. In from New York to visit (and harangue) her sister (Penelope Wilton), Joan suspects someone is slowly poisoning the woman. Enlisting Miss Marple to assess the situation and report back to her, Joan hightails it back to London (don't worry, she shows back up later). As sister Carrie Louise is also a great pal of Miss Marple, she welcomes her into the eccentric, possibly murderous household with nary a thought. These earlier scenes set in the country house are highly entertaining, and have the feel of a Wes Anderson movie by way of "You Can't Take It With You". The house's inhabitants are a hoot, that is until murder interferes, and finally, things take a tragic turn. There's a boy's reformatory next door that Carrie Louise's husband runs and it may or may not figure into the plot. With Brian Cox, Nigel Terry and Ian Ogilvy shining in supporting roles, and Alex Jennings and Sean Hughes hilarious as the two inept police inspectors, "They Do It With Mirrors" is, in my opinion, the best movie in this set.
Now, The Bad (2 stars): "A Pocket Full of Rye". In this poisonous confection, Miss Marple shows up at another country house to investigate the strangulation of her former maid and the poisoning of the Lord of the Manor. Matthew Macfadyen ("Ripper Street") is on hand as the competent chief inspector who is appreciative of Miss Marple's help; Rupert Graves and Ben Miles are the murdered man's sons, with Lucy Cohu and Liz White as their respective wives; Hattie Morahan is the dead man's daughter and Helen Baxendale is Lauren Bacall-ish as the glamorous housekeeper. With a cast like this, "A Pocket Full of Rye" should be much better but the writer's let their cast down at nearly every turn and any excitement to be had is lost in translation. I did, however, enjoy the drunken butler, who seems like an ever-so-slightly less randy relative of the drunken butler played by Boris Karloff in "The Old Dark House"; when he ogles Miss Marple in his room, you wonder if she'll get out with her virtue intact. It's the first time I've ever seen anyone eye Miss Marple in quite that way, and it's queasy, funny and curiously charming, all at the same time. I also liked the ending that has Miss Marple receiving a surprising discovery in the mail that effectively closes the case.
The Ugly (1 star): "Why Didn't They Ask Evans?". This adaptation of Christie's work is all over the place, with so many characters running hither and yon that it's hard to keep track of who's who and what their place is in the story. To be sure, some of these characters didn't occupy a place in the book, as the writers apparently thought it best to omit existing ones in favor of new, less interesting characters. The writers also changed much more, not the least of which is the insertion of Miss Marple, who doesn't even appear in the book. I really don't have a huge problem with Marple's intrusive presence here, although the introduction of her character into the action is ham-handed and feels really awkward. "Why Didn't They Ask Evans?" starts out promisingly with an attractive pair of bored, rich, attractive young things thinking it would be a hoot to solve a murder, a decision they soon regret. Steered to the ubiquitous country house, they meet a group of ubiquitous eccentrics, though this bunch is considerably less fun than those in the previously mentioned film. Next door is a sanitarium run by a shifty doctor (Rik Mayall) who seems to keep his nervously gorgeous wife (Natalie Dormer) under lock and key. Of course, murder happens, and it's up to Miss Marple to save the day. The highly capable Samantha Bond plays the perpetually out-of-it lady of the house and Rafe Spall is the house pianist(?). Sean Biggerstaff and Georgia Moffett are also good as the two self-appointed young investigators, and the rest of the enormous cast moves in and out of scenes with shifty-eyed gravitas. All for naught as it's hard to make heads or tails of who's doing what to who, and even harder to care.
The Really Ugly (0.5 stars): "Murder Is Easy". I must admit that "Murder Is Easy" is in my top 5 Christie favorites so to see what the screenwriters did to this had me more than a little miffed. To put it mildly. Once again, I didn't so much mind them injecting Miss Marple into the proceedings (she was not present in the novel) although she seems ingratiatingly nosy here as well as terribly out-of-place. However, the elimination of key characters from the book and the creation of new ones is very grating, and the changing of the killer's motive and background is stupid and unforgivable, as is the entirely new climax which completely robs this film of any iota of suspense. The premise of Christie's novel is excellent: a series of "accidents" in a small village turn out not to be accidents at all, and a pair of would-be lovers risk their lives to expose the insane (and insanely clever) killer. Why the writers decided to make the changes they did is really puzzling to me, and I don't see that any of these changes improve on Christie's story. Benedict Cumberbatch (playing a cop visiting the village from his regular beat in Asia) seeks Miss Marple's advice on the case, when she noses her way into the village after a woman she meets on a train ends up mysteriously dead. In an early role, Russell Tovey plays a local constable, and Shirley Henderson is very good as a local woman who may hold the key to the mystery. Although this outing isn't as boring as "A Pocket Full of Rye" or as confusing as "Why Didn't They Ask Evans?", it's absolutely awful in the writing and direction.
On the plus side, the films in this set are all beautifully photographed and blessed with large casts of considerable talent that, in the end, can't save the day, even with the help of Miss Marple. One can't help but wonder what's next for these screenwriters. Miss Marple dropping in for tea at 221B Baker Street after Watson is mysteriously poisoned? Miss Marple tagging along with Tom Hanks in the next "Da Vinci Code" sequel? Miss Marple stepping in for "The Girl With the Dragon Tattoo?" The screenwriters of these four films should stop trying to fix what isn't broken and appreciate that the Mistress of Crime knew what she was doing when she wrote the original novels.
What I cannot excuse is the dreadful, and sometimes bizarre, treatment the stories have been given in these 'adaptations.' All are dark and perverse, whether the original was or not. Stories are changed - beyond recognition, in some cases. Characters are added or deleted, and the writers or directors cannot resist inserting gratuitous and vulgar sex scenes.
I bought one dvd set previously, didn't like them (with the exception of Greenshaw's Folly. It was pretty good.), but decided to give them another try. It was a mistake.
In season four, the writers continue to have the adaptations set in the 1950s, which makes sense for purpose of continuity for the small screen. Unfortunately, the writers choose to interject current social mores into their adaptation, so the sense of another time and place really does not work because of the dissonance the writers cause.
Episode one works for the most part, because the core of the story stays relatively true to the original. Unfortunately, in episode two, in which the adaptation now includes Miss Marple, the story deviates wildly from the original. Not even the inclusion of Benedict Cumberbatch in one of the pivotal roles can save it. The adaptation is simply ludicrous.
Episode three stays relatively close to the original, though it was not one of Dame Christie's best. It also features a fine performance by Penelope Littleton, as well as one by Joan Collins. In episode four, the writers include Miss Marple in their adaptation. They also totally rework the novel in its entirety, turning it into a totally dreadful mish mosh of the original. Not even the inclusion of Miss Marple can save this adaptation.
Unfortunately, the writers of this series still feel they know better than Dame Christie. They do not merely adapt her work. At times, they indulge in totally rewrites so that the episodes often bear little resemblance to the original upon which they are based. Consequently, their lack of talent does the series a disservice. Purists will probably hate this series, while those unfamiliar with the work of Agatha Christie may love it. I fall somewhere in the middle, deriving a modicum of enjoyment from the series despite some of its decided shortcomings.
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Warum allerdings die Geschichten "neu erfunden wurden" erschließt sich mir nicht. Agatha Christie ist nicht umsonst die "Queen of Crime"...der Drehbuchverreißer jedoch leider nicht.
"Ein Schritt ins Leere" - eine meiner Lieblingsgeschichten - ist hiermit allerdings die wohl schlechteste Agatha Christie-Adaption und geradezu "schwer zu ertragen"!