What spectral force, illusion, or trick of light has fooled so many erstwhile critics into apologizing for Robert Pollard over these long years since the broadly accepted twilight of Guided by Voices' reign over the (very nearly) barren kingdom of indie rock as we now know it? The sum of all the criticism heaped on GBV for years (excepting Do the Collapse-- universally agreed upon as the absolute nadir of the band's catalog), all the way back to Mag Earwhig!, has amounted to barely more than a weak-kneed "wait 'til next year." And we waited, and some of us are still waiting, while others have simply given up; critics have been crying wolf for years, so who can really blame folks for finally losing faith?
So how did he do it? Critics, notoriously, are jackals, trying, always trying, to thin the herd, to cull the sick and dying at the first sign of weakness; Pollard, it would seem, has been staggering around on his last legs for three or four not-so-hot-to-lukewarm albums (if that sounds like revisionist history, it's only 'cause history was wrong in the first place). And yet he still lives! How? His only defense, I now submit to you: pure enthusiasm, a forever-young charm; I can see no other explanation. There have been plenty of unlikely rock heroes, but after fifteen (!) albums, only Robert Pollard still sounds, for all the highs and lows, like an ex-schoolteacher trying to live the dreams of his idols, still trying to grow into Pete Townshend's arena-sized shoes. Deep down, I firmly believe, even Pollard's critics want him to succeed, or at least would rather forget him than be forced to say he failed.
By now, you've seen the rating (go on, look) and if even the expectation of the phrase "better than the last few GBV albums" stirs only cynicism within your jaded insides, it might just be the case that you're in healthy working order. As a reformed Robert Pollard apologist, I will not ask you to see the promise of better things to come from here or wait 'til next year; I'll go one better: Earthquake Glue meets any GBV album that isn't named Bee Thousand or Alien Lanes. It sounds improbable, but all I'm asking you to believe is that Bob's year to finally make good on any incubating potential he's shown since the halcyon days of Tobin Sprout has finally arrived. A "Guided by Voices album" has meant too much, for too long, to too many (and if you need reasons, I just mentioned both of them), but this isn't a normal GBV album. This is Bob Pollard at his most direct, most natural, and finally ready to shake the stadiums down to their very foundations.
It's no secret that Bob Pollard's Who-caliber aspirations have been leaking into his work way back since he had a devil between his toes-- you can hear Roger Daltrey turning green with every swelling power chord of "Wished I Was a Giant" and earlier. He's masked it for a long time with whimsically beautiful lyrics, lo-fi production, and generally keeping the guitar windmilling to a minimum on soft-spoken classics like "Goldheart Mountaintop Queen Directory", but it's been fully silenced. It hardly needs to be said, but when folks describe you in terms like "whimsical," like a Dr.Seuss character-cum-pop superstar (the main character in Robert Hears The Who), filling Madison Square Garden ain't gonna be easy, probably impossible. But steadily, Bob's realized this and begun shedding the belovedly quirky trappings of his past; what's felt like "falling off" for so long was really gradual metamorphosis into a different beast entirely.