After Antiquity: Greek Language, Myth, and Metaphor

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Cornell University Press, 2002 - Byzantine literature - 567 pages
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With the publication of Ritual Lament in Greek Tradition, widely considered a classic in Modern Greek studies and in collateral fields, Margaret Alexiou established herself as a major intellectual innovator on the interconnections among ancient, medieval, and modern Greek cultures. In her new, eagerly awaited book, Alexiou looks at how language defines the contours of myth and metaphor. Drawing on texts from the New Testament to the present day, Alexiou shows the diversity of the Greek language and its impact at crucial stages of its history on people who were not Greek. She then stipulates the relatedness of literary and "folk" genres, and assesses the importance of rituals and metaphors of the life cycle in shaping narrative forms and systems of imagery.Alexiou places special emphasis on Byzantine literary texts of the sixth and twelfth centuries, providing her own translations where necessary; modern poetry and prose of the nineteenth and twentieth centuries; and narrative songs and tales in the folk tradition, which she analyzes alongside songs of the life cycle. She devotes particular attention to two genres whose significance she thinks has been much underrated: the tales (paramythia) and the songs of love and marriage.In exploring the relationship between speech and ritual, Alexiou not only takes the Greek language into account but also invokes the neurological disorder of autism, drawing on clinical studies and her own experience as the mother of autistic identical twin sons.

 

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Alexiu nw f.381 thotw se tema e Vwllait tw Vdekur trajton idenw se sa katastrofike janw kujdesjet e tepwrta tw njw nwne superprotektive pwr vajzwn e saj.
Po ashtu nw f.198 dhe 203 trajton ide tw
tjera tw rwndwsishme.
Burimi wshtw autoritativ pwr trajtimin e kwsaj balade dhe lidhjet e saj me antikitetin grek.
 

Contents

Historical Perspectives
19
The New Testament and Its Legacy
43
Some Private and Public Voices
66
New Departures in the Twelfth Century
96
The Diversity of Mythical Genres
151
Myth in Song
172
Magic Cycles in the Wondertales
211
Metanarrative and Paranarrative
231
Ritual and Reciprocity
328
Separation Transition and Integration
332
Resources of the Past
345
Metaphors in Songs of the Life Cycle
349
Journey
352
Clothes and Gems
361
Hair
372
The Garden of Love
374

The Interpenetration of Themes and Images
235
Cyclical Images of Body and Cosmos
249
Cosmology and Morality
253
The Tree of Life and the Cosmic Cycle
260
Concluding Comments
262
From Myth to Fiction
266
The Greek Novel c 18301880
267
The Case of Georgios Vizyenos
275
Ethnicity and Sanity
277
Antithesis as a Strategy of ReadingWriting
286
Between Time and Place
296
After Vizyenos
310
The Resources of Ritual
317
Everyday Life
319
Autistic Rituals
325
Hunting and Hunted
377
Burning and Withering
381
Tears and Poison Blood and Water
384
Plants and Fruits of the Earth
389
Hunting Birds
396
The Tree of Love and Life
399
Backward to the Present
411
Notes
453
I
465
43
471
Key to References to Songs and Tales
503
General Index
547
Index of Themes and Images
563
Copyright

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Popular passages

Page 47 - And he saith unto them, Be not affrighted : Ye seek Jesus of Nazareth, which was crucified : he is risen ; he is not here: behold the place where they laid him.
Page 58 - BLESSED is the man that hath not walked in the counsel of the ungodly, nor stood in the way of sinners, and hath not sat in the seat of the scornful...
Page 37 - DIGLOSSIA is a relatively stable language situation in which, in addition to the primary dialects of the language (which may include a standard or regional standards), there is a very divergent, highly codified (often grammatically more complex) superposed variety, the vehicle of a large and respected body of written literature...
Page 300 - Und wenn der Mensch in seiner Qual verstummt, Gab mir ein Gott, zu sagen, wie ich leide.
Page 478 - The fantastic . . . lasts only as lone as a certain hesitation: a hesitation common to reader and character. who must decide whether or not what they perceive derives from "reality" as it exists in the common opinion.
Page 478 - If he decides that the laws of reality remain intact and permit an explanation of the phenomena described, we say that the work belongs to another genre: the uncanny. If. on the contrary, he decides that new laws of nature must be entertained to account for the phenomena, we enter the genre of the marvelous.
Page 47 - And very early in the morning of the first day of the week, they come to the sepulchre at the rising of the sun.
Page 47 - Salome, bought spices, 2 that they might come and anoint him. And very early on the first day of the week, they came to the tomb at the 3 rising of the sun.
Page 173 - Zum Volkssänger gehört nicht, daß er aus dem Pöbel sein muß oder für den Pöbel singt; so wenig es die edelste Dichtkunst beschimpft, daß sie im Munde des Volks tönet. Volk heißt nicht der Pöbel auf den Gassen, Der singt und dichtet niemals, sondern schreit und verstümmelt.

About the author (2002)

Margaret Alexiou is George Seferis Professor of Modern Greek Studies at Harvard University.

Bibliographic information