Following the tradition of the famed New York clubs for male
stage actors and their associates, such as The
Lambs, founded in 1874 by Henry Montague, and The
Players, founded by Edwin Booth in 1888, Masquers Club was
founded in Hollywood in 1925. It would play a most important role
in the founding of the Screen Actors Guild in 1933. "We Laugh
to Win" was their motto, and laugh these good fellows did,
along with talking, eating, drinking, smoking, and game-playing
in their clubhouse at 1765 N. Sycamore. Many Masquers were longtime
members of The Lambs, The Players, or both. They put on performances
called "Revels" with gusto: for example, where else
in Hollywood could one see Frank Morgan as blustery Colonel Claghorne,
with his brother, Ralph Morgan, as Frank's pure and sweet virginal
daughter (yes, daughter) Breeze, in the "Pride of the
Claghornes" sketch from Frank's Broadway hit, The
Bandwagon? (Hopefully, nowhere else!)
But by the early 1930s, as the movie industry began to feel the
gloomy effects of the 1929 stock market crash, some Masquers'
laughter was replaced by more serious talk among members like
Kenneth Thomson, Claude King, Ivan Simpson, Boris Karloff, Grant
Mitchell, Berton Churchill, Charles Miller, Bradley Page, Alan
Mowbray, and Ralph Morgan. Main concerns were the multiple cuts
in many actors' salaries, combined with inhumane hours of labor
(the latter largely brought with the longer working hours involved
in making "talking” pictures). Although the Academy
of Motion Picture Arts & Sciences (founded 1927) had devised
the first standard contracts for free-lance and day players, and
offered arbitration to its members, a large number of actors found
the Academy an unsatisfactory advocate. The official position
of the Actors' Equity Association was that the Academy was actually
a "company union" dominated by its producers branch.
Something had to be done, and the discussions became too serious
to hold at Masquers Club. Members began to meet in each others'
homes, particularly Kenneth Thomson's.
An eight-week salary cut, announced by the producers in March 1933,
through the Academy of Motion Picture Arts & Sciences, was the
final straw: the hour had come for actors to stop griping to each
another and take action. A small group of Masquers met at the home
of Masquer Kenneth Thomson & his wife, actress Alden Gay. Four
attendees at this meeting had long, significant involvement with
Actors' Equity: Grant Mitchell was a founding member of Equity in
1913; Berton Churchill had been in charge of the New York headquarters
for the 1919 Equity strike; Charles Miller was Equity's current
West Coast representative; Ralph Morgan, Mitchell, and Churchill
were long-time Equity Council members, and Morgan himself had briefly
served as acting president of Equity in 1924. Adding a helpful dash
of jurisprudence to the mix, Mitchell and Morgan (both of whom had
been among 185 actors sued by the Shubert organization in 1919 for
their roles in the Equity strike) had law degrees.
Although the final decision to incorporate the Screen
Actors Guild came at Kenneth Thomson's home, the group never forgot
the importance of Masquers Club clubhouse, from which the idea sprang.
At some point in the 1930s (the exact date has never revealed itself),
someone decided to gather as many of the 21 original members of
the Board of Directors as possible to pose for a commemorative photo
at the clubhouse. 15 of them made the photo shoot. The lovely clubhouse
(originally the home of silent-film star Antonio Moreno), with its
classic English Tudor architecture and rich wood paneling - an irreplaceable
landmark in the history of the Screen Actors Guild - was demolished
in 1985. An apartment house took its place on North Sycamore...but
in our hearts and minds, Masquers Club clubhouse stands forever.
Today, Masquers Club is a small but still active
organization with an information-packed website at www.masquersclub.org
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