TVSquad

Last time on 'Saturday Morning' we took at look at the ambitious NBC schedule of the 1973-74 television season. This time we will examine the lineups for ABC and CBS during that time period.

At a quick glance, both networks maintained the 'primetime' look that was established by ABC the season before by adding a number of shows that featured animated versions of nighttime television characters. This was in addition to the shows that already existed, which made this one of the first seasons where real-life characters nearly outnumbered imaginary ones. This was also the first year for the 'all-star' genre of cartoons. ABC featured two of these types of programs, both featuring characters well-known to a previous generation of Saturday morning viewers.

It continues to look as if the movie industry has totally run out of ideas for new concepts to bring the $10 a ticket crowd into the theaters. Dipping its foot into the television pool once again, it was announced that Universal has cut a deal to promote Sid & Marty Kroftt's Sigmund and the Sea Monsters to the big screen. This will be the second Kroftt movie for Universal (another property, H.R. Pufnstuf, is with Sony). The first, Land of the Lost starring Will Ferrell, has completed filming and is set for release in June of 2009.

For those uninitiated to the golden age of Saturday morning programming, Sigmund and the Sea Monsters premiered on the NBC schedule during the 1973-74 season. It featured a friendly sea monster (played by Billy Barty) who was befriended by two human boys (one of them being Family Affair's Johnny Whitaker). The typical sitcomy plot usually involved Sigmund getting into some sort of trouble that alerted his sea monster brothers and mother (who lived in a nearby sea cave), and his human friends making sure he wasn't found out. It became the first Sid & Marty Kroftt production up to that time to be renewed for a second season.

Seventeen. That is the number of premieres that aired during the 1973-74 Saturday morning schedule. It marked the largest number of premieres since original fare began to be offered during the 1965-66 season. It also marked an official shift in the what the networks decided was rating-getting Saturday morning fare.

Taking an example from ABC's successful Saturday morning schedule during the 1972-73 season, the other networks loaded up their time slots with animated versions of its primetime related fare. There was also a lack of animated rock bands. With The Osmonds, Jackson 5ive and Amazing Chan and the Chan Clan off the schedule only one band (and one solo performer) joined the fray this time around.

The 1973-74 season also marked the return of some old Saturday morning favorites: Yogi Bear, Huckleberry Hound, Batman, Superman and Aquaman. After a bit of a vacation these characters returned to the airwaves in new formats. For all, it would be the beginning of a long-running Saturday morning relationship that would last well into the 80s.

I have a tween-aged girl in the household, so we watch a fair amount of Disney Channel. I'll come clean and even announce that Miley Cyrus, The Cheetah Girls, and Demi Lovato share iPod space with AC/DC, Jeff Beck, and Aerosmith. Hey, those Disney Channel tunes are catchy, and they're easy to dance, I mean, walk to. I draw the line at the Jonas Brothers, though.

But about 10 minutes into the new Cheetah Girls: One World movie the other night, my daughter looked at me and said, "I was really hoping these Cheetah Girls movies would get better." Yeah, me, too.

I actually liked the first two movies, in 2003 and 2006, respectively. The second, directed by High School Musical alum Kenny Ortega, was a downright cute tale about the Girls' escapades in Spain.

Parents, it is time to put our collective feet firmly on the ground. We have spent the last year-and-a-half pumping billions of dollars into the monstrosity that is the Hannah Montana/Miley Cyrus empire with the ever-increasing amount of products that give our daughters fits whenever they see them in the store. Everything and anything with even a picture of The Hannah or Miley has come into our homes, making our childless neighbors or those with a cadre of boys scratch their heads in curiosity as to why this teenager's face graces so many surfaces.

Well, I say enough is enough! Time to put down our wallets and purses, straighten up and notify our children, in a firm but gentle manner, that we will no longer be supporting their Hannah/Miley addiction. The best place to start is to let them know that, in no uncertain terms, will we be plunking down $250 a pop (plus airfare, lodging, and rental car) to wish Ms. Cyrus a happy 16th birthday at Disneyland on October 5th. Oh, Cyrus will perform a few songs at the party, and it will be limited to 5000 of her closest fans. But, will the cost be worth it for something your daughters will forget when Miley eventually fades into the limelight and they begin to think about (gasp!) boys?

But, if you can't resist, you better get to your phone, computer, or Disneyland now to be one of the first when tickets go on sale this Saturday at 9:00 AM PDT (that's noon to us East Coasters). Don't worry, the rest of us will be there to support you when you return. Just make sure you bring pictures and souvenirs of the event. Hey, we have only so much strength, you know!

Last time on Saturday Morning we took a look at the ABC schedule for the 1972-73 season. This time around, we are looking at the lineups for CBS and NBC.

As mentioned in the previous post, the way that the Saturday morning schedule shaped-up during 1972 was due, in part, to the way that then Saturday Morning programmer for ABC, Michael Eisner, decided to infuse it with a bit of primetime philosophy. The result for the other two networks was a schedule that featured more movie-like and variety-based cartoons as well as animated fare that emulated the primetime hits of that day. In addition, some primetime talent was brought onto Saturday mornings to help jumpstart the educational fare that had slogged along during the last two years. By combining primetime personality with animated programming the networks introduce a new genre of program into the mix.

Let it be known that my son knows a good thing when he sees it. He's 14 now, but between the ages of six and 10, he was obsessed with Foster's Home For Imaginary Friends, a Cartoon Network show that just earned an Emmy. Character designer Ben Balistreri won in the juried award category for individual achievement in animation for the "Mondo Coco" episode.

I would see the show in passing and think, what the heck is this? It just looked so weird, and the animation is practically primitive compared to today's CG standards. But the concept is somewhat more complicated.

In the Foster's universe, imaginary friends become physical beings the instant a child imagines them. An Imaginary Friend is completely real and can be seen, heard, and felt by all under most circumstances. The only problem is that children outgrow them, and they're left to fend for themselves.

Another giveaway today! This time we've got three copies of Transformers Animated - Season One on DVD for three lucky, random commenters. The DVD is available in stores starting tomorrow.

To enter, leave a comment below before 5:00PM Eastern, Friday, August 22 simply telling why you'd like to own this set. As always, we'll randomly choose three winners amongst the eligible entries. Some other details:
Click here for complete Official Rules.

When I think about the Olympics I don't think about the grandeur of the competitions, the feeling of global community, the individual stories of the athletes, or the mesmerizing synchronized swimming routines. The one thing that comes to mind when I think about the Olympics: anonymity. Out of the thousands of athletes that compete in these games many fade into the daily routine of their countries once the Closing Ceremony is completed.

Yet, there are a handful, particularly the up-and-coming stars of each Olympic games, that remain in the spotlight well after the torch has been extinguished. Some continue into the professional sports realm, others become "experts" in their field, and some jump into another profession altogether. Then there are those who enjoy the television spotlight so much that they remain in the medium in one capacity or another.

Sometimes it's as themselves on other television properties. Other times they dabble into the acting field with mixed results. Here are seven Olympic athletes who continued their careers on television in one form or another.

I am older than Sesame Street.

That's the first thing that went through my head when I saw that the show starts its 39th season today on PBS (check local listings for time). This means that I must have started watching the show when I was around four years old, which seems strange to me, but I've learned never to argue with Bert & Ernie.

With a couple of Osmonds, a few Brady kids, an old Chinese detective, a dog and his mystery-solving friends, and Bill Cosby, the second Saturday Morning Revolution began in earnest in 1972. And, it was a long road to hoe to get to this point. That was thanks to the radical changes that needed to be made to the schedule during the late 60s and first few years of the 70s. Changes that were the result of mounting complaints by citizen action committees as well as nervous network executives.

To review: from 1966 until about 1969 things ran fairly smoothly for the networks when it came to Saturday morning programming. With the popularity of superheroes during that time the schedules were full of programs featuring supermen, batmen, space ghosts and super presidents. As hero worship waned during the last years of the 1960s the networks turned their attentions to an older viewing audience, focusing on shows with a number of teenagers and young adults -- many of them in animated rock-and-roll bands.

But, by 1970, all of that changed. As pressures to air more educational and less violent and vapid fare came from all sides, the networks were unsure what to do. They wanted to continue airing cartoons, but they were so watered down (or imitations of what was already airing) that they weren't as entertaining. They presented a number of live-action educational programs to the schedule as well, but very few of them lasted more than a year. By 1971 it looked like the networks had all but given up on Saturday mornings.

Like the year 1965 was before the Saturday morning cartoon explosion of 1966, the year 1971 was also the calm before another storm. After years of producing and airing show after show, the networks took a breather during the 1971-72 season to look around and see where their industry was at the time. Looking back at it from present day it wasn't looking too bright.

With pressure coming from inside the networks (thanks to the censors) and from outside activist organizations, Saturday morning television began to fracture. Out of the 14 shows to premiere in 1971 only 5 of them were brand new offerings. The rest were rehashes or revivals of older cartoons and live-action series. And out of those a majority featured an education bent...something that kids revved-up by chocolatey, sugar-coated cereal did not have the patience to watch.

The experiment would fail by 1972 as another surge of animated programs made their appearance. Until then, viewers had to deal with a lack of new programming and repeats of shows that had been repeated a few times already. So went the Saturday morning schedule in 1971-72. Let's journey back, shall we?

The new season of Sesame Street is right around the corner and, while I normally wouldn't give it a second thought, I am unusually excited right now. No, this isn't a snarky rant about how I've been driven to children's TV because of the sorry state of grown-up programming. Sesame Street's 39th season, starting August 11th, looks like it has a lot of fun lined up not only for the pre-schoolers but parents as well. I already posted Feist's upcoming special take on "1 2 3 4", but I had no idea how many amazing guest appearances were coming. Just check out this star-filled highlight reel after the jump.

Whew! After several days of sore feet (and sore booties from sitting on the hard floor waiting for the next panel), dwindling funds, and tons of TV-related panels, San Diego Comic-Con comes to an end. That doesn't mean that all of the television folks have packed up an left in order to catch the Silver Bullet train to Los Angeles (does a train even run between San Diego and Los Angeles?) or an aeroplane to Vancouver. There are still some panels waiting for your utmost attention.

It's Kids' Day at the convention, so there are panels on a Mr. SquarePants, Phineas and Ferb, The Backyardigans, and those wacky Muppets from Fraggle Rock. For the more adult crowd there are Q&As for It's Always Sunny in Philadelphia, Supernatural, Smallville, and another panel on cartoon voices. The final TV-related event is a rousing sing-a-long with the Buffy the Vampire Slayer episode "Once More With Feeling." After that, you can climb into your hotel bed, train berth, car seat, or nearby street corner resplendent with the fact that you had taken in everything television at the Comic-Con.

So, if you are staying just one more day, here are the television-related events for Sunday, July 27th. For a full schedule of events you can check out the official schedule on the Comic-Con website. And, for old times sake, remember that times, panelists and events can change at a moment's notice. That, and the panels are on a first-come, first-serve basis.

Man, oh man. I love counting. Sometimes I do it just to do it. I know I'm often alienating some of my less-educated friends (toddlers) when I start spitting those numbers, but I can't help it! Counting is wonderful.

In fact, the only thing I love more than counting is the sound of a breathy Canadian singer. Imagine my delight when I was sent this video of Feist singing a special version of her famous "1 2 3 4" (aka "That song from the iPod commercial where there's a chick in something blue and sparkly") with some lovable faces on Sesame Street (as we mentioned a few months ago).