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Conceived in a time when the
United States was consumed by the Vietnam War, LOVE became a
symbol for Peace. This famous sculpture is one of the most celebrated
works within the pop art movement as well the art world as a whole.
Purchased through the Scottsdale Public Art Program with in-kind support
from Pascal and Sylvie de Sarthe, Scottsdale and Simon and Gilian Salama-Caro,
New York, in 2002, LOVE is a 144" (h) x144" (w) x72" (d)
sculpture made of poly-chromed red and blue aluminum, weighing 3,800 lbs.
There are a number of different colored editions, Scottsdale purchased
the first in a series of five, (with two artist proofs), red and blue
sculptures. Other colored editions include blue and green and red, white
and blue.
LOVE
has been a fixture in the art of Robert Indiana. Its form and structure
have changed significantly throughout the years from 1958-1966 and even
through to today. The iconography first appeared in a series of poems
originally written in 1958, in which Indiana stacked LO and
VE on top of one another. The first LOVE sculpture was carved
out of a solid block of aluminum, highly unpolished, that the pop artist
had made for a show at the Stable Gallery in 1966. The idea for the sculptural
piece originated from a visit to a Christian Science church in Indianapolis,
where Robert was taken by an adorned banner that read "GOD is LOVE."
He then created a painting for an exhibition held in what was formerly
a Christian Science church. It depicted the reverse of the previous banner,
stating "LOVE is GOD."
Shortly after, Indiana was commissioned to design a Christmas card for
the Museum of Modern Art, for which he made three small paintings of the
word love in red, blue and green. These cards were printed in 1965 and
since have been the most popular card MoMA has ever published. Since then
LOVE has become a cultural icon and has been used extensively
throughout the art world and media, with and without the artist's approval.
The image has been transformed into T-shirts, mugs, rugs and posters.
The 330-million United States postal stamps issued in the 1970s are one
of the more popular examples of the mass reproduction and appropriation
of this image.
The sculpture sits in the Civic
Center Mall, between the Scottsdale Center for the Arts and the Civic
Center Library.
Robert Indiana,
originally Robert Clark, was a seminal figure in the pop art movement.
Born in New Castle, Indiana in 1928, he studied in both the United States
and Europe before settling in New York in 1956. He has called himself
a sign painter, incorporating symbols, signs, letters and words throughout
his art. Indiana's work has been inspired by old trade names, traffic
signs, automatic amusement machines and commercial stencils. He has created
poems, paintings, sculptures, silk screens and posters. Pieces by Indiana
stem from not only symmetry, color and form, but also content that addresses
politics, religion and the human condition.
The art of Robert Indiana has been exhibited at The Guggenheim Museum,
New York, The Institute of Contemporary Art, Boston, The Institute of
Contemporary Art, Philadelphia, The Museum of Modern Art, New York, The
National Museum of American Art, Smithsonian Institute, Washington, DC,
The Whitney Museum of American Art, New York, and numerous other museums
and galleries across the world. In 1970 he received an Honorary Doctor
of Fine Arts from Franklin and Marshall College, Lancaster, Pennsylvania,
as well as one in 1977 from the University of Indiana and another in 1981
from Colby College. A collective retrospective of his work was shown at
the Musée D'Art Moderne Contemporain, Nice, France, in 1998 and
more have followed. Indiana is a celebrated artist whose realist approach,
(as coined by the Sidney Janis Gallery, New York), helped define a generation
of art and artists.
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