'Bribed' Golden Globe judges nominate flops after Vegas junket

'The Tourist' and 'Burlesque' are among poorly reviewed films up for awards

By Guy Adams in Hollywood

Johnny Depp and Angelina Jolie in 'The Tourist'

ap

Johnny Depp and Angelina Jolie in 'The Tourist'

Wafting over the red carpets this awards season, amid the expensive cologne and forced smiles: a dubious whiff of scandal. The Golden Globes, supposedly Hollywood's second most prestigious awards event after the Oscars, is finding its often-criticised voting process at the centre of unwelcome controversy.

At issue is a decision by members of the Hollywood Foreign Press Association (HFPA), organisers of the annual exercise in back-patting, to shortlist two recently released but highly derided studio films – The Tourist and Burlesque – in the "Best Motion Picture (musical or comedy)" category for next month's event.

The move initially surprised pundits, since both films received unsympathetic reviews and hit cinemas to public apathy. Burlesque, which, according to the aggregation website Rotten Tomatoes, got positive write-ups from only 38 per cent of critics, opened fourth in the box office charts and made back just $34m (£22m) of its $55m budget. The Tourist, panned by 79 per cent of reviewers, returned a mere $22m of its $100m budget. Disbelief later turned to mild outrage, however, after it emerged that Sony, the studio behind the clunker Burlesque, recently flew Golden Globes judges to Las Vegas for an all-expenses-paid trip which included luxury hotel accommodation, free meals and a private concert performed by the film's star, Cher.

It's always difficult to say where lobbying ends and flat-out bribery begins. But the junket can hardly have failed to help to persuade members of the HFPA to nominate the film, which was dubbed "achingly dull" by The New York Times, and described by Variety as "over-wrought" and "underwritten", as the best comedy or musical they had seen in the previous year.

The allegation is nothing new: throughout its history, the HFPA has been regarded as an organisation whose members are easily swayed by luxury goods and other treats. In 1999, Sharon Stone presented each member with a gold watch days before they received voting forms. She was duly nominated for the Best Actress award.

In 1981, most famously of all, the unknown Pia Zadora won a Best Newcomer award for her role in Butterfly, a film which had been universally derided. It later emerged that the movie's producer, who was also her husband, had flown the entire HFPA to Las Vegas for a weekend holiday immediately before they voted.

Part of the reason for criticism may be that, as a private organisation with only 81 members, the HFPA is beholden to no one and considered relatively easy to influence. To win a Globe, you need to charm only a few dozen voters. To win an Oscar, by contrast, you must lobby roughly 6,000 members of the Academy.

The other explanation for bizarre voting patterns at the Golden Globes – where the Best Drama has gone on to win Best Picture at the Oscars only once in the past six years – lies with its status as a made-for-TV event. It makes roughly $6m a year for the HFPA, and about $27m in advertising revenue for its broadcaster, NBC.

Those figures are dependent on viewers bothering to watch, though. And many believe Globes judges deliberately nominate major A-listers so that they can guarantee the celebrity quota at their event.

Robert Licuria, editor at the awards tracking website Gold Derby, told reporters last week that the nominations were "hideous", adding that it was "the best example of how [the Golden Globes] tend to be in awe of the big celebrities, and are sometimes perceived to be driven by who they can invite to the party". In a move that lays bare the fact that not even recipients take the event too seriously, Angelina Jolie revealed that she had reacted to her nomination for The Tourist as a joke. "We were laughing because it's the first time that I've been in the comedic category so it's new for me."

  • In financial terms, this may be slightly unfair to The Tourist which did capture more than 20% of the total box office take when it was released. It's actually doing better than Narnia in terms of its share of total gross revenue to date. We also cannot judge the success of either film until the foreign earnings start to come in. These are always at least a week behind the US numbers. We may see a pattern as with Knight & Day which was also panned in the US and took $76 million, but went on to take a further $185 million in international sales. Frankly a $261 million total for a poor film like Knight & Day was a good return on a production budget of $117. So I would not run down either Burlesque or The Tourist just on the basis of box office or the early Rotten Tomatoes' ratings. I prefer to wait and see what the total market response is. That said, there's always been more than a slight hint of corruption about the voting for the Golden Globes. What I find amusing about this Vegas trip is that everyone who accepted the free junket fails to make the obvious connection between appearances and reality. Even if their votes were not influenced, it's hard to dismiss the implication the votes were bought.
  • kevork1an
    I suppose you just proved that this is all about taste. I watched a movie called the Painted Veil based on a Somerset Maughm novel. The backdrop was spectacular, the music first rate and the acting superb and believable. I had never heard of it. It got no awards. Why? Because of of marketing and not enough sex and violence in comparison to the glut of rubbish pouring out year after year. The hurt locker may have been anti war although it had a very indirect way of saying it, yet another movie The Green Zone was far superior as it left you in no doubt what the message was....
  • Hollywood is as Hollywood does.
  • Interesting. Gervais is hosting the GG again I believe. He absolutely killed last year--maybe it was the Emmy's--He seems the type that would disdain dangling an incentive to the voters though.
  • The Hurt Locker pro-war? I think you didn't watch it. I'd say that recently the Oscars have a pretty good track record of getting the 'best movie'. No Country For Old Men and Slumdog Millionaire were worthy winners.
  • the "whistleblower" who wrote the article gave a scathing review of burlesque late last month. sounds like he needs to come up with excuses why burlesque is nominated. why is nobody mad that glee is nominated? burlesque is quality compared to glee.
  • ABritAbroad
    It was The Golden Globes which catapulted "The Office" and Ricky Gervais to prominence in America when hardly anyone in the United States had seen it. I've often wondered if there was some kind of incentive for members to vote for it.
  • quizbook
    The stated aim of these awards is to mark good films not financial gain. If the take at the box office is the measure of quality, the organizers of the awards should stop pretending to reward art and just give the prizes to the films that make most money.
  • Harveyeight
    These sorts of unfounded allegations, which are difficult to disprove, should not be aired on national newspapers. I know for a fact that the Golden Globe nominations are as honest and straightforward as the the FIFA elections for the location of the World Cup and the FIA's election procedures to replace Mosley as head of international motor sport.
  • this is what happens in an inbred industry where media firms share the same bed and awards are designed to make more money not to honor excellence....it's geared to the ever growing massive personality obsession...something that will become even bigger as the ric get richer and the poor more numerous.
  • all these awards show serve one purpose to promote movies and to pander to the highly inflated egos of really boring people
  • waterbase
    No wonder animations/cartoons are more popular nowadays (Shrek for example) because quality acting are dying and awards like these are making things worse by not judging based on quality of performance of actors/actresses but luxury gifts from producers/individual actors/actresses
  • quizbook
    Who on earth would bother taking any notice of the prizes in such film awards anyway ? All those who care about watching good films [as opposed to prize wining ones] gave up looking at the results of this circus long ago.
  • I dont know but.. it is always the same people throwing shade to Christina. Why it is with you and Christina Aguilera? Just poor journalists.
  • Christina called me and she said to me " I DONT GIVE A F*CK!"
  • Much pressed? Burlesque is the one of the most successful original musicals and many people are bothered by its success on soundtrack sales and box office success (it went up to #3 in the second week beating Love & Other Drugs) Get your facts straight amateur journalists of the UK trash.
  • waterbase
    I like The Hurt Locker because it displays the emotional turmoil from soldiers who work hard in the field ... although I strongly disagree war in Iraq.... However, Slumdog Millionaire surprised me but it was a good film with really refreshing ideas .... No Country For Old Men is a bit dull but the performance of Javier Bardem was really exceptionally excellent.... So it is hard to say Oscar is a flop ....
  • Going to go and check that movie out, never heard of it
  • True, I didn't like The Hurt Locker, slow, monotonous, boring I could go on
  • drg40
    Who cares? It's only the meeja running a story line about the meeja.
  • These shows are always a joke. The best movies never win. Look at the Oscars - The Hurt Locker? Oh please, just yet one more pro-War America-rah-rah movie. Not remotely close to the 'best movie' of the year. Who listens to critics and these award shows anyway.

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