Rachel will perform Bruch’s Scottish Fantasy with the Lansing Symphony Orchestra, Timothy Muffitt, conducting.

The program also includes Berlioz’ King Lear Overture and Dvok’s Symphony No. 8.

Rachel has said that the Scottish Fantasy is definitely one of her favorite pieces to perform. The concerto, from the 1800s, is based on Scottish fiddle tunes from the 1700s. In crafting her interpretation, Rachel researched and found all of the fiddle tunes and traveled to Scotland to study them with Scottish fiddlers. These insights allow her to bring an authentic flavor to her performances of the Bruch concerto.

Her recording of Scottish Fantasies recorded with the Scottish Chamber Orchestra, Alexander Platt conducting, presented the Bruch along with other 19th Century classical works for violin and orchestra that also used traditional Scottish tunes.

Program notes for the concert are available here.

Rachel performs the Beethoven Violin Concerto with the Park Ridge Civic Orchestra, conducted by Victor Muenzer, in a program that also includes Mahler Symphony No. 1.

Rachel will perform her own cadenzas, as featured in the Rachel Barton Pine Collection.

She recorded Beethoven’s Violin Concerto in D with the Royal Philharmonic Orchestra, José Serebrier conducting on her Beethoven & Clement Violin Concertos (Cedille Records).

Rachel will join pianist Matthew Hagle in a concert exploring the theme of “Musical Friendships.”

The program includes: Amanda Maier’s Sonata in B Minor; Dmitri Shostakovich’s Sonata, Op. 134, Johannes Brahms’ Sonata No. 2 in A Major, Op. 100 and Hungarian Dance #17, arr. Joseph Joachim, and Mieczyslaw Weinberg’s Rhapsody on Modovian Themes.

Rachel and Matthew Hagle’s recent album Violin Lullabies debuted at #1 on the Billboard Classical chart.

Rachel performs “Old World, New World” with cellist Mike Block. The concert blends the traditional with rock for the ages, ranging from Bach, Bartok, and American and Scottish fiddling to Led Zeppelin and Metallica.

Rachel performs the Beethoven Violin Concerto with the Santa Rosa Symphony, conducted by Bruna Ferrandis, in a program that also includes Bruckner Symphony No. 9, Unfinished.

Rachel will perform her own cadenzas, as featured in the Rachel Barton Pine Collection.

She recorded Beethoven’s Violin Concerto in D with the Royal Philharmonic Orchestra, José Serebrier conducting on her Beethoven & Clement Violin Concertos (Cedille Records).

Hailed as the zenith of solo violin repertoire, Rachel performs J.S. Bach’s Six Sonatas and Partitas, at the University of Florida. Music critic and author Kirk McElhearn has called the works “miracles of music, where a single violin embarks on some of the most remarkable musical discourses ever written.” major, BWV 1006.

Following her solo recital earlier in the week, Rachel performs Bach’s Concerto in E major, Vivaldi’s Concerto in D major for Viol d’amore, Bach’s Double Concerto in D minor, and Vivaldi’s The Four Seasons with the New York Chamber Soloists.

Acclaimed as an outstanding ensemble of distinguished virtuosi performing widely diverse repertoire in creatively programmed concerts, the New York Chamber Soloists have maintained a unique niche in the chamber music world for more than five decades. This 12-member ensemble of strings, winds, and keyboard can increase to as many as 35 with the addition of guest artists, giving it the flexibility to offer many works that are seldom heard due to the unusual instrumental combinations for which they were written.

Rachel performs the Beethoven Violin Concerto with the Bryan Symphony Orchestra, in a program that includes Schubert’s Symphony no. 4 “Tragic”.

She recorded Beethoven’s Violin Concerto in D with the Royal Philharmonic Orchestra, José Serebrier conducting on her Beethoven & Clement Violin Concertos (Cedille Records).

Hailed as the zenith of solo violin repertoire, Rachel performs J.S. Bach’s Six Sonatas and Partitas, in a free concert at the National Gallery of Art. Music critic and author Kirk McElhearn has called the works “miracles of music, where a single violin embarks on some of the most remarkable musical discourses ever written.” major, BWV 1006.

Rachel performs Dvořák’s Violin Concerto in A minor, Op. 53 with the Elgin Symphony Orchestra, conducted by David Danzmayr, in a program that also includes Dvořák’s Carnival Overture and Symphony No. 9 in E minor “From the New World”.

Rachel performs Beethhoven’s Violin Concerto in D major, Op. 61 with the New Mexico Philharmonic, conducted by Fawzi Haimor, in a program that also Brahm’s Academic Festival Overture, Op. 80, Saint-Saëns Symphony No. 3 in c minor, “Organ Symphony,” Op. 78.

Rachel will perform her own cadenzas, as featured in the Rachel Barton Pine Collection. She recorded Beethoven’s Violin Concerto in D with the Royal Philharmonic Orchestra, José Serebrier conducting on her Beethoven & Clement Violin Concertos (Cedille Records).

Rachel performs Locatelli concerto grosso Op. 4 No. 6, L’Arte del violin, Concerto No. 12, and Leclair violin concerto, in a performance with the Baroque Band.